A wonderful essay by Hedley Twidle, on listening to Moses Taiwa Molelekwa.
Prufrock magazine | September 2015.
This is middle C, my piano teacher would explain when I was about three or four years old. And this is the family of C (playing the pentatonic scale), and they all get on together, that’s why they are a family. And because it is C major they are a happy family.
Major being happy, minor being sad. It’s one of the first things I learned in music lessons (and sometimes I think that these lessons are my first memory). But what does that mean exactly? Is it true? Physiologically true, or just a learned response? And what happens if you express the ‘happy’ via the ‘sad’, or ‘sad’ via the ‘happy’?
These may well be naïve questions, unacceptable to musos and musicologists. But one thing I have taken from the work of the late pianist and composer Moses Taiwa…
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