johnny dyani, don cherry, & okay temiz, live on french tv (1971)

MBIZO DAY – today, Wednesday 30th November

The Pan African Space Station (PASS) will host a 24 hour live broadcast of music written and/or performed by healer, musician, composer and painter Johnny Mbizo Dyani (30 November 1945 – 24 October 1986), as well as rare interviews with the artist and comments by people who knew and worked with him.

TUNE IN HERE from 12:00 midday (GMT+2) today, Wednesday 30 November till midday on Thursday 1 December.

This listening session is in celebration of Mbizo’s life work and in commemoration of 30 years of his passing.

During his short life, Mbizo helped to establish the Blue Notes, a group he co-founded with Chris McGregor, Louis Moholo, Mongezi Feza, Dudu Pukwana and Nic Moyake, as the one of the most innovative and powerful forces in jazz. Or more precisely, what he called the SKANGA (a family of black creative musics). Mbizo was a highly sought-after bass player and vocalist who performed with some of the music’s most important figures, including Don Cherry, Abdullah Ibrahim, David Murray, Mal Waldron, Famoudou Don Moye, Khan Jamal and many more. He recorded over 70 albums.

In addition to Chimurenga people, selectors and speakers include Keorapetse Kgositsile, Lefifi Tladi, Marcus Wyatt/Blue Notes Tribute Orkestra, Louis Moholo, Lesego Rampolokeng, Ikapa Jazz Movement, Tete Mbambisa, Maakomele Manaka, DJ Mighty, Tumi Mogorosi, Dala Flat, and many more.

And check out this wonderful performance from July 1971, broadcast live on French television.

keeping time at uct, 2 august 2016

This coming Tuesday, find out more about the extraordinary archive of photographs and live recordings made by Ian Bruce Huntley in the 1960s and early 1970s. In 2013 I was involved in putting this archive of recordings online, which you can explore HERE.keeping time event

Keeping Time: Ian Bruce Huntley’s South African jazz archive
by Jonathan Eato

Ian Bruce Huntley is not a name that you’ll find readily in the burgeoning annals of South African jazz. Unless, that is, you talk to the dwindling generation of jazz musicians who were working in South Africa in the mid-1960s. Tete Mbambisa remembers Huntley as the man who ‘recorded our gold’, and this Huntley did through a series of remarkable photographic images and live audio recordings. Having privately preserved these records for over forty years, throughout the state repression of grand-apartheid and into the democratic era, they have recently been made available for the first time.

This talk will consider how, in the face of increasing political oppression, Huntley’s archive documented a community of vernacular intellectuals exploring and developing ideas in counterpoint to much commercially available South African jazz post-‘Pondo Blues’.

For more info:

email: ems@uct.ac.za
tel: 021 650 2888

Facebook event HERE.