Excavating an ancient tomb in South Korea, archaeologists found the 4-centuries-old mummy of Eung-Tae Lee, who had died at the age of 30. Lying on his chest was this letter, written by his pregnant widow and addressed to the father of their unborn child:
Source: Letters of Note
To Won’s Father
June 1, 1586
You always said, “Dear, let’s live together until our hair turns grey and die on the same day.” How could you pass away without me? Who should I and our little boy listen to and how should we live? How could you go ahead of me?
How did you bring your heart to me and how did I bring my heart to you? Whenever we lay down together you always told me, “Dear, do other people cherish and love each other like we do? Are they really like us?” How could you leave all that behind and go ahead of me?
I just cannot live without you. I just want to go to you. Please take me to where you are. My feelings toward you I cannot forget in this world and my sorrow knows no limit. Where would I put my heart in now and how can I live with the child missing you?
Please look at this letter and tell me in detail in my dreams. Because I want to listen to your saying in detail in my dreams I write this letter and put it in. Look closely and talk to me.
When I give birth to the child in me, who should it call father? Can anyone fathom how I feel? There is no tragedy like this under the sky.
You are just in another place, and not in such a deep grief as I am. There is no limit and end to my sorrows that I write roughly. Please look closely at this letter and come to me in my dreams and show yourself in detail and tell me. I believe I can see you in my dreams. Come to me secretly and show yourself. There is no limit to what I want to say and I stop here.
Though the love song comes in many guises – songs of exultation and praise, songs of rage and of despair, erotic songs, songs of abandonment and loss – they all address God, for it is the haunted premises of longing that the true love song inhabits. It is a howl in the void, for Love and for comfort and it lives on the lips of the child crying for his mother. It is the song of the lover in need of her loved one, the raving of the lunatic supplicant petitioning his God. It is the cry of one chained to the earth, to the ordinary and to the mundane, craving flight; a flight into inspiration and imagination and divinity. The love song is the sound of our endeavours to become God-like, to rise up and above the earthbound and the mediocre.
“She arches her body like a cat on a stretch. She nuzzles her cunt into my face like a filly at the gate. She smells of the sea. She smells of rockpools when I was a child. She keeps a starfish in there. I crouch down to taste the salt, to run my fingers around the rim. She opens and shuts like a sea anemone. She’s refilled each day with fresh tides of longing.”