if we burn there is ash (7 september 2016)

if we burn there is ash

The Wits Anthropology Department is pleased to reopen its Museum collection with

If we burn there is ash

An exhibition by Talya Lubinsky
with contributing artists Meghan Judge, Tshegofatso Mabaso and Thandiwe Msebenzi
and performances by Lebohang Masango and Healer Oran

Wits Anthropology Museum
Wednesday 7 September 2016
18:00

Walkabout with the artists Thursday 8 September 11:30-13:00

All welcome

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On Christmas Eve of 1931 a fire broke out at Wits University’s Great Hall. At the time, the façade of the Great Hall had been built, its stone pillars and steps creating a striking image of the university in the young colonial city. But the University had run out of funds, and the building that would become Central Block, had not yet been built. Erected behind the grand façade of the Great Hall were wooden shack-like structures, which burned in the fire. These wooden structures housed the collections of what is now called the Cullen Library, as well as the Ethnographic Museum’s collection. Initiated by Winifred Hoernle, head of the Ethnography Museum at the time, the collection was largely comprised of pieces of material culture sent to her from the British missionary, William Burton, while stationed in the ‘Congo’ region.

The fire burned hundreds of books, paintings and artefacts. Some of the only objects that survived the fire are clay burial bowls from the Burton collection. Able to withstand the heat precisely because of their prior exposure to fire, these bowls remain, but are blackened and broken by the 1931 fire.

The exhibition, If we burn, there is ash centres around this story as a place from which to think about the value of colonial collections of material culture. While the origins of the 1931 fire remain unknown, it nonetheless provides a space in which to think about the potentially generative qualities of fire.

Ash, the material remains of fire, however elusive, does not disappear. Even when things burn, they are never fully physically or ephemerally eliminated. Ash is not just the physical remains of that which has been burnt. It is also used as an ingredient in cement mixtures. It is literally transformed into a building material.

Using ash and cement as a poetic relation, this exhibition asks about the potentiality of burning in the project of building and growth. Ash and cement serve as a provocation on the question of what is to be done with the material remains of a violent colonial past.

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For further information, please contact Talya Lubinsky (talya.lubinsky@gmail.com) or Kelly Gillespie (Kelly.Gillespie@wits.ac.za)

meghan judge – face deep (2013)

“Face Deep is an experimental, animated (stop motion) film that allows for a free-flow of thought and exploration of self within an otherwise overly produced, technical and character driven practice. This sequentially photographed film looks at animator as lead character, allowing internal personalities/burning stories to emerge on skin surface whilst a sense of play within the medium is explored.

By listening to the songs of local low-fi Cape Town band Tape Hiss and Sparkle on loop, the raw and honest lyrics/sounds from Simon Tamblyn lead the animator deeper into herself to explore her own raw and honest inner spaces. The film allows one orator to evoke new stories in another orator, and for their different methods of story telling (sound/visual) to co-exist together; sometimes it is another person’s truth that helps us explore our own.”

— Meghan Judge, Simon Tamblyn

More of Meghan’s work is HERE.