my first mixtape

Something I wrote in 2004 (You can listen to the mixtape here as you read.)

I remember being happy and carefree until about the year I turned 10. That was the year everyone around me became aware of something called “coolness”. It seemed you had to do certain things a certain way to be deemed “cool”. It didn’t make much sense to me. I collected stamps and pressed indigenous flowers. The other girls were really into pastel writing paper (blank). I was in the school choir. I had takkies instead of hockey boots (I hated hockey; why waste my parents’ money?).  I read voraciously — National Geographics, Rumer Godden, Lucy Maud Montgomery. There was always a queue to read the next Sweet Valley High that I never joined.

While others were playing handstands and kissing catchers, I liked to walk further out, past the squeals, put my sandwich out on the grass, lie down and wait for a yellow-billed kite to spy it. I loved to feel the wind from its wings as it swooped down right over me from way up high… in the next second, bird and morsel would be gone; a tiny shadow, a cry far, far out of reach.

Almost all my time inside and outside school was spent dreaming up elaborate, exotic worlds and cobbling approximations of them together from whatever was at hand: cardboard, tablecloths, our little red wagon, press-ganged siblings, pets. Some games took weeks. Gypsy caravans morphed into Voortrekker laagers morphed into hunter-gatherers in the Drakensberg morphed into refugee camps morphed into townships morphed into castles under siege.  Ways of being that were other than mine held endless fascination for me; every scenario a mystery I longed to inhabit. Engrossed with historical detail, with exact measurements, with flavours and textures and smells, I would be nowhere but there in my head – not exactly germane to making flesh-and-blood friends. Maybe worst of all, though, when the teacher asked questions in class and I was actually paying attention, I would put up my hand and answer, or even disagree with her.

I found out that my differences did not endear me to others, did not interest them. In fact, the things that made me different made me actively UNcool. At first I didn’t really care, but then it started to hurt. I was frozen out, systematically. The nastiest kids used to make me cry. They would pass notes warning their cronies not to borrow my scissors because I had “AIDS”. This was 1987. We didn’t really know what it was, only that it was worse than leprosy… and the lepers we’d heard about at Sunday School were pretty abhorrent.

One day I punched a boy called Stuart Urquhart when he had kicked my school bag, put Prestik in my hair and called me “ginger”, “fatty” and “freckles” one too many times. So what, I had freckles (show me a redhead who doesn’t… I quite liked mine, and I always liked my hair), but “fatty” I couldn’t accept. (It stuck regardless though. Around 16 I was weighing all my food to make sure I knew how many kilojoules I was swallowing.) Stuart came off with a respectably-sized purple and yellow bruise. The teacher made me stay in at big break and beat chalkboard dusters while Stuart got on with “getting off” with girls behind the change rooms on the far side of the field, where the myopic staff member on duty couldn’t make out that there were boys on the girls’ side. It was a Belle & Sebastian song just waiting to happen.

(This is a Youtube playlist I made to go with this piece.)

Fast forward to a year or two later, when I discovered The Smiths, the Pixies, U2 and the House of Love through a mix tape copied for me by the Std 7 boy I (and everyone else, it seemed) had a devastating crush on. He saved my life. Inadvertently, of course. He was the minister’s son, a gymnast with beautiful arms. Sitting outside, vestigial and bored at the Std 5 leavers’ disco, I imagined those taut biceps encircling my pubescent torso, crushing my stonies to him, exquisite pain as we slow-danced to Richard Marx, eternal reverie in the fuggy November night…

“Whatever it takes, or how my heart breaks, I will be right here waiting for you.”

When, oh when, would a boy sing that to me? (Note to younger self: “Don’t hold your breath, girlie.”) Only one boy had ever been sweet (or brave?) enough to ask me to dance at the handful of parties to which I was invited. The time he did, it wasn’t a slow song. He wasn’t that sweet (or brave?). His name was Francis and he flapped his elbows like a chicken. I was staying outside. I hadn’t developed a sense of irony yet.

“Close your eyes, gimme your hand, darlin'” … “Lay a whisper on my pillow” … “Huh-ush, hush, keep it down now, voices carry…”

Back then, those numbers induced in me a wild yearning for a reason to empathise with the girls from my Pop Shop tapes, and an overwhelming sense of hopelessness that things were not moving in that direction. That was before I discovered The Smiths, Depeche Mode, The Cure, Tears for Fears. What? Bands who were singing about how I really felt, instead of what I would never be?! Singing, in fact, about the precise feeling of inadequacy that perfect pop had provoked in me! They left me standing alone with a smirk, instead of the sigh of an outcast. The relief I felt was immediate.

“Sheila take a, Sheila take a bow/ Boot the grime of this world in the crotch, dear/ Throw your homework onto the fire/ Go out and find the one you love”

I wished I’d brought my rollerskates that night. I wanted to glide away down the smooth, concrete walkways, eerie dark tunnels ringing silently with the monitors’ “No running on the corridors!” refrain, the illicit rumble of my wheels propelling me far from all the clammy paired-off hands and Bon Jovi… I slipped out across the moonlit playing fields, the dew muddying both pairs of roll-down lumo-pink and white nylon socks I was wearing, my black takkies squeaking with every step. Grasping the perimeter fence, I pressed my face against the diamond mesh until it patterned my cheeks, and the dog barking at me from across the road forced the preternatural image that had projected itself into the sky — the minister’s son, away at boarding school in ‘Maritzburg, straw boater cocked rakishly — to dissipate.

The crush passed, though not until after I had wasted more than a year of stupefying Fridays at youth group watching the blonde chicks compete for his attention. I never tried. I had learned that tragedy was also cool. And anyway, Morrissey said I was the one for him (fatty). Who needed 15-year-old zitfarms when you had Morrissey’s alabaster chest and bruised daffodils, and Robert Smith’s bleeding mouth? So hot. So beyond sex. So beyond my stupid suburban world.

I ditched the stamps and started collecting Melody Makers & NMEs with religious fervour. Plastered my room with Joy Division, Bowie, Bauhaus, Jim Morrison, Sinead o’ Connor, Jesus & Mary Chain posters. Cultivated a floppy fringe and faraway eyes. Whined for Docs. A couple of years on my mom would be despairing at the puddles of black kohl staining my pillow. Every day, regardless of Natal’s weather, I wore the darkest parts of my school uniform: the navy jersey and dark stockings. Every day, I packed the same cabbage salad in my lunchbox, skimping on the mayo, trying to suppress my burgeoning curves, to look tortured, sick, blank, cold, mechanical, monosyllabic. Like I was inside.

The new wave music in my head deflected everything irrelevant. And everything felt irrelevant. I could identify with nothing around me. With no one — certainly not white South Africa in 1993! The violence. The confusion. The fear. The news explained nothing. I could taste the lies.

“Ich möchte ein Eisbär sein/ Im kalten Polar/ Dann müßte ich nicht mehr schrei’n/ Alles wär’ so klar.”

“All we ever wanted was everything/ All we ever got was cold/ Get up, eat jelly, Sandwich bars and barbed wire/ Squash every week into a day.”

“I could turn and walk away, or I could fire the gun/ Staring at the sky, staring at the sun/ Whatever I do, it amounts to the same: Absolutely nothing/ I’m alive/ I’m dead/ I am the stranger/ Killing an Arab.”

“Me… I disconnect from you…”

“I belong to the blank generation, and I can take or leave it each time.”

“I see liberals; I am just a fashion accessory… La tristessa durera, scream to a si-i-igh, to a si-i-igh…”

“Rock ‘n’ roll is our epiphany: culture, alienation, boredom and despair,” the Manic Street Preachers howled. I was in love with fragile, callow Richey Manic, with the leather, leopard print and makeup. We scrawled copycat slogans on our Std 9 history teacher’s blackboard before class. Mr Mundell was a Springbok walker (yes, a competitive WALKER) with a tight arse and vindictive streak a mile wide towards any “non-athlete”, his term for anyone who preferred house plays to hayfever. We spent our time in his classes on Bismarck and the Cold War and Botha VS Smuts writing rainbow pages in advance for “forgetting” our P.E. kits. Notice I say “we”, for by then the other angry girls in dark stockings had deigned to notice me. They were rebels. They’d nicked the template from their elder sisters who’d been in London.

Penny and Olwen were in love with their horses, and also with Dave Gahan and Brett Anderson. They had tails: long, snarled strands of hair that they had to keep rolled up and clipped under the other short hair to avoid being bust. When they got bored with those, they got undercuts. Anything to cause shit, to push the limits, to be different. I didn’t really get the point of that at high school. I had my mom do me a tight plait down my back most days. I made her do it over if it wasn’t perfect.

I tagged along with them, mostly for the music I could sponge off their connections. Penny had given me the Stone Roses record her sister bought her in London, for example. She’d scorned it cos it was “too pop”. She couldn’t see that part of its brilliance lay in the way the shambling prettiness cloaked the meticulous cruelty beneath:

“You’ve been bought and paid/ You’re a whore and a slave/ Your dark star holy shrine/ Come taste the end, you’re mine/ Here he comes/ Got no questions, got no love/ I’m throwing stones at you man/ I want you black and blue and/ I’m gonna make you bleed/ Gonna bring you down to your knees/ Bye bye badman/ Ooh, bye bye/ I’ve got a bad intention/ I intend to/ Knock you down/ These stones I throw/ Oh these French kisses/ Are the only way I’ve found…”

Swigging vodka and crème soda out of a juice bottle under the stands on Sports Day, keeping cave while they smoked, I couldn’t quite buy in to group rebellion. Drinking was fun. Cigarettes were siff. Dagga was a chance I was nervous of taking. I heard rumours that it could make you schizo. I already doubted my sanity too often. Also, I was pretty sure dagga definitely killed brain cells, and, well, I was coming top in the standard, and my parents expected me to continue doing so… My parents were the only people in the world I knew really did love me. Didn’t mean we liked each other much but I felt like I shouldn’t fuck that up…

Rewind a couple of years again: “You can all just kiss off into the air/ behind my back I can see them stare/ They’ll hurt me bad, but I won’t mind/ They’ll hurt me bad, they do it all the time, yeah, yeah, they do it all the time…”

The Violent Femmes! Never had I heard anything like them! Pasty, whiny smalltown nerds. They wrote lonely, ugly songs, about masturbation and Jesus and killing your daughters and wanting to fuck black girls. They broke the rules in a way I could dig. They broke them because they had to. But what really got me was the rock ‘n’ roll. Deadpan-venomous-breakneck-shake-a-chicken-rock’n’roll, baybeh. The fattest, twangiest bass… and a marimba! I wanted to be defiled! I hadn’t felt like dancing this much since I was about 9 or 10 and Dad used to stick on the Beatles’ Red Album for us when it was raining and we couldn’t play outside.

It was in a marquee on the beach at Kenton-on-Sea in the Eastern Cape that I noticed the first boy I would ever kiss watching me, kinda slo-mo headbanging to “American Music”. I remember he seemed passably cute. He lurched over, wordlessly, and pulled me close. Dizzy from my Cure-style flailings and a couple of Hunter’s Golds, I collapsed on top of him on a hay bale and his tongue found mouth. It busied itself deep in my nonplussed oral cavity for a while. It was all a bit too gross to feel like the miracle I had anticipated for years, but boy was I stoked. My necklace popped undone. Tiny, cold beads rolled down between my breasts, between my shoulder blades, adding to the strange, electric shivers as the foreign hand inched up, up under my Rattle & Hum t-shirt, fumbling round to the front. I think he pulled away because he had to burp.

His plaque was flavoured with curdled Black Label and zol, and the rest of him with that purple Ego deodorant – what was it called? Bahama Mist? Afterwards, back from my holiday, I would go into Spar with my mom, loiter around the mens’ toiletries while she was in another aisle, spray Bahama Mist nonchalantly into the lid, take a hit of sweaty rapture on my isle of romance, over and over again.

I don’t recall a word he said. I forgot his name years ago. But his friend’s, who had set about ravishing my younger sister in similar fashion, is indelibly etched in my mind. It was Geoff. You see, for weeks afterwards she and I chanted the Pixies’ refrain, “Jefrey-with-one-ef-Jefrey”, when alluding to the escapade in front of Mom and Dad. We were convinced if they found out what naughty things we’d got up to right under their noses, we’d NEVER be allowed to go to parties unchaperoned again.

Jef was a surfer, a boarder at a boys’ high school in King William’s Town. Suave. Told us he had a mattress in the back of his bakkie. (HIS bakkie? How old were they??) We shat ourselves. When they staggered off to find more dop, we skedaddled home to my grandparents’ house via the most brightly lit street. Out of breath with giggles, we picked the straw from our tresses, only a little more relieved than regretful that we had been sensible. Ooh, but hadn’t they given us their phone numbers?! When we dialled them from a tickiebox next day we got the out-of-order tone. And making a getaway the night before, I had forgotten to retrieve my beloved velvet hat from whence it had tumbled as I fell into first base. The first brutal abandonment, and there’d be too many down the years to keep count.

“A sad fact widely known/ The most impassioned song to a lonely soul/ Is so easily outgrown/ But don’t forget the songs that made you smile/ And the songs that made you cry/ As you lay in awe on your bedroom floor/ And said ‘Oh! Oh! Smother me, Mother…’/ Yes, you’re older now and you’re a clever swine/ But they were the only ones who ever stood by you…/ I’m here with the cause; I’m holding the torch/ In the corner of your room, can you hear me? And when you’re dancing, and laughing, and finally living/ Hear my voice in your head and think of me kindly.”

I do, Steven Patrick, you whiny old git, every now and then I really do. And you can consider this one such paean of my gratitude to your ilk. (2004)

4 thoughts on “my first mixtape

  1. ‘It must have been luurrvv … but its all over noooow …” a great recapturing of those heady daze … great to see it from another perspective … “I’m a boy and you’re a girl ..”

  2. A great piece! We could have been separated at birth (even though I’m a few years older and from JHB…and you clearly read way more books). In 88/89 it became fasionable for normal girls to dress all ‘gothy’. My test was taking Bauhaus lyrics and passing them off as my own poetry to weed ’em out. I was a bit of an insecure knob back then…

  3. that is rather knobbish! back then, that sort of behaviour would probably have endeared you to me, hahaha. pre-google, you actually had to KNOW stuff to know stuff.

  4. Pingback: manic street preachers – spectators of suicide (heavenly version) | fleurmach

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