Original version, written by Aretha Franklin and Ted White, from the album Aretha Now (Atlantic, 1968).
Anyone who wants to know the human psyche will learn next to nothing from experimental psychology. He would be better advised to abandon exact science, put away his scholar’s gown, bid farewell to his study, and wander with human heart throughout the world. There in the horrors of prisons, lunatic asylums and hospitals, in drab suburban pubs, in brothels and gambling-hells, in the salons of the elegant, the stock exchanges, socialist meetings, churches, revivalist gatherings and ecstatic sects, through love and hate, through the experience of passion in every form in his own body, he would reap richer stores of knowledge than text-books a foot thick could give him, and he will know how to doctor the sick with a real knowledge of the human soul.
~ C.G. Jung
“The Devil’s Sake”
“First Sign of Spring”
April 2012 – Holland plays songs from 2011’s Pint of Blood with an unadorned style that makes her lyrics and voice all the more touching.
The past clicks us into focus.
There’s a slid-hinge to the edit.
In this photo, your father frames you
like a fish he wants to remember—
slipped and tin, temporarily pliable,
propped on his knee.
Let’s take your brother, here,
blue-faced and stuffed, full of berries out the
bottom of the backyard, off the bramble
of his foot, rolling from the cabinet’s
carpet like a gum to its tongue,
small and sand-favoured;
his cheek still a linen chest of flesh
before he turned himself down
for girls who developed with their legs poised
stern as oars. They were his wife. Their skirts
unassailable septums, bone-walled. And their
factory-lit health, a tythe
I find myself paying,
and saying, “What’s honest is what lines it,
is the advertorial milk blanket of your insides,”
while my friends ask, “Is this how shit always is?”
and listen, and wonder, what fresh therapist
will chug the construction belt of their counsel,
tap court shoes square and cocked, to knock
the Morse code of medication, and send us
nearing ourselves, for three months, or about.
So, I smoke the scalpel of memory, instead,
and scour love in its clot, as time consults
like a ruler. And each inch knows this
is the telling. This is the business of my life:
to talk that bread out of its dripping
with the small, sauced animal of my knife.
Posted here with kind permission from the author.
Righard Kapp performing “Moloch” in Cape Town, 21 January 2013. Check out more high quality videos of performances by underground South African musicians on the new Cheap Seats Vlog.