From the Weed Forestin’ LP (Homestead Records, 1990), to end the weekend on a less sad note! ;)
From the Weed Forestin’ LP (Homestead Records, 1990), to end the weekend on a less sad note! ;)
From The Freed Weed (Homestead Records, 1990).
From The Argument (2001).
congratulations. stop. wish i could be there. stop. tell me something i don’t know.
is there anything left to know? stop. stop. stop. stop. stop.
accessory, accessory, accessory, accessory, accessory, accessory
we regret to inform. stop. miss you dearly, signed sincerely. stop.
tell me something that i don’t know is there anything left to know?
stop. stop. stop. stop. stop. accessory, accessory, accessory, accessory, accessory, accessory to the time. time. time. time.
i’ve got this epic problem; this epic problem’s not a problem for me
and inside i know i’m broken, but i’m working as far as you can see
i’ve got this epic problem this epic problem’s not a problem for me
and inside i know i’m broken but i’m working as far as you can see
and outside it’s all production; it’s all illusion, it’s set scenery
i’ve got this epic problem; this epic problem’s not a problem for me
From 1000 Hurts (2000).
One of the most beautifully orchestrated of all Morrissey’s abject songs about self-pity. From the 1992 album, Your Arsenal.
Aimee Mann in 1999.
With diegetic sound from the denouement montage in Paul Thomas Anderson’s Magnolia, to which the song is central.
Aimee Mann in 1986.