Charting a path forward for anti-sexist and anti-racist scholarship and activism. This discussion was hosted by the Van Zyl Slabbert Visiting Chair, the Dean of the Faculty of Humanities and the University of Cape Town’s SRC and moderated by Prof Xolela Mangcu on Thursday 23 April 2015.
“The fact that we are able to have this conversation in South Africa as though it is new, as though these issues have never been thought of before, is precisely because of our inability to engage, and to read…In a staggering display of willful ignorance, we continue to have conversations that have been had, that have been taken in remarkable directions, as though we have just discovered them.” – Pumla Gqola (at 0:26:00)
[Note: Recent events in South Africa – from raging student movements across university campuses to xenophobic violence in the streets of Durban – seem to echo so many struggles both inside and outside the university “here.” This is the first of hopefully several posts from South Africa, that seek to listen and travel across.]
Guest Post by RICHARD PITHOUSE
South Africa was supposed to be different. We attained our freedom, such as these things are, after everyone else but Palestine. It was late in the day but the afternoon sun was glorious and the best people, people who had passed through the long passage of struggle, told us that we would be able to avoid the mistakes made everywhere else.
There was a mass movement that, whatever its limits, had won tremendous popular support and carried some noble ideals through its travails. Its leaders cast long shadows. Our Constitution, we…
Lizza Littlewort – “Still Life with White Hyperbole”. 2015.
This is an adaptation from a still life by someone I’m actually descended from, whose son (or grandson, not sure) came out here as a PA to Simon van der Stel and apparently was the most corrupt, heinous motherfucker you could imagine. It’s very hard to get a straight answer from anyone in my family, but one distant uncle who I chatted to on the phone told me that because he could prove his direct descent he was allowed into the basement of the Rijks Museum where they kept all the family info. He said this guy was so corrupt that he was, individually, the reason for the first slave rebellion at the Cape. So it’s like an actual time warp of history. Except of course when I research when the slave rebellions were, none of the dates tie up. But of course there must be so many of these hideous occurrences which we no longer even know about.
Jacob de Wet II (Haarlem 1640/2-1697 Amsterdam). An Italianate river landscape with a swan, a Eurasian bittern, a peacock, a pheasant and other birds before a stone vase on a pedestal. Oil on canvas, 153.6 x 217.5 cm.
The song appears here in the documentary of 1970s outlaw country music, Heartworn Highways. Van Zandt is seen performing in his Austin, Texas home with his friend the “Walking Blacksmith” Seymore Washington, who is visibly crying as Van Zandt plays.
“Sympathetic but subtly critical, Vertige presents itself as a psychological portrait of the escape and/or contestation tactics of the decade’s youth: while war, violence, famine and poverty continue to devastate the planet, these youngsters seek refuge in the hedonistic haven of sexual liberation, lysergic research and communal fictions.”
Watch the film at ubu.com. And HERE is an etymological investigation into the phrase “goo goo g’joob”.