thabang tabane – nyanda yeni (2017)

We are proud to present the official music video for Nyanda Yeni, the first single of Thabang Tabane’s upcoming debut solo album, Matjale.

The music video, directed and edited by StraitJacket Tailor, is composed primarily of archival footage taken from apartheid-era cinema from South Africa. The images are borrowed from 1950s films and variety shows with some footage for 1970s propaganda films endorsing the notion of ‘separate development’. By taking apart old apartheid-era films and their fallacies of coonish fantasy, it slices and splices them in order to re-order their meanings. In other words, it subverts. Taking us for a loop. Also included in the film are short video clips of the legendary, late Dr. Philip Tabane performing, creating an arch that links father and son in life, love and malombo.
The archival clips are choreographed in a loop emulating the spinning of a record on a turntable, but also the vertiginous séance-like spin of a dance or chant for rain.

StraitJacket Tailor is a record collector, archivist, and award winning documentary film director/producer.

Nyanda Yeni is now available on most digital platforms.

The album, Matjale, drops digitally, on CD and on vinyl on Friday, the 14th of September, 2018.

Credits for Music Video:
Produced by Sifiso Khanyile and Boxcutter Studio
Directed and edited by #StraitJacket Tailor

Credits for Track:
Nyanda Yeni by Thabang Tabane
Music composed and arranged by Thabang Tabane
Lyrics from Traditional Song
Performed by Thabang Tabane (malombo drums, hlwahlwadi, toys & vocals), Dennis Moanganei Magagula (djembe, hlwahlwadi & toys), Sibusile Xaba (guitar & sounds) and Thulani Ntuli (electric bass guitar)
Produced by Thabang Tabane, Andrew Curnow & Dion Monti
Recorded by Andrew Curnow & Nhlanhla Mngadi
Mixed by Dion Monti & João Orecchia
Mastered by Norman Nitzsche at Calyx Mastering
Recorded live at the Tabane household, Mamelodi on 28 August 2016.
Executive Producers and A&R – Lindokuhle Nkosi, Chumisa Ndakisa & Andrew Curnow

Lovingly presented to you by Mushroom Hour Half Hour
http://www.mushroomhour.com

guan xiao – david (2013)

Beijing-based Guan Xiao tries to steer away from the label “post-internet artist,” but, looking at her work, it’s obvious the tool—and the advancement that comes with it—is a big part of her creative endeavours. Both her sculptural and video pieces, which are often interconnected, draw on imagery found on the net, treating it both as a source and a platform.

goo goo g’joob

The Beatles’ song, I am the Walrus, slowed down 800% and set to the 1969 film Vertige by Jean Beaudin.

“Sympathetic but subtly critical, Vertige presents itself as a psychological portrait of the escape and/or contestation tactics of the decade’s youth: while war, violence, famine and poverty continue to devastate the planet, these youngsters seek refuge in the hedonistic haven of sexual liberation, lysergic research and communal fictions.”

Watch the film at ubu.com. And HERE is an etymological investigation into the phrase “goo goo g’joob”.

jean-beaudin-vertige-1969

william shakespeare – sigh no more, ladies

Happy 449th birthday, Willy!
nothing shall keep us apart

Sigh no more, ladies, sigh no more;
Men were deceivers ever;
One foot in sea and one on shore,
To one thing constant never;
Then sigh not so,
But let them go,
And be you blithe and bonny;
Converting all your sounds of woe
Into “Hey nonny, nonny.”

Sing no more ditties, sing no mo,
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leavy.
Then sigh not so,
But let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into “Hey, nonny, nonny.”

(From Much Ado about Nothing)

flash mob flamenco

Flamenco flash mob staged by anti-capitalist group flo6x8 inside a bank in Sevilla, Spain, to express anger and frustration at the economic crisis. Flamenco began as an art form centred around protest and social awareness. In the late 18th and early 19th centuries, flamenco songs were largely about poverty, suffering and the hardships of everyday life.

Read more HERE about how flash mobs are reconnecting flamenco to its roots, or watch a 25 minute BBC documentary on the phenomenon.

(Thanks to Lizza Littlewort for posting the featured link on Facebook this morning.)

cherry bomb – gouttes mécaniques (mechanical teardrops) – 2008

“We’re all Frankie…”

A détournement: Fernand Léger – ‘Ballet Mécanique‘ (1924) versus Ordo Ecclesiae Mortis – ‘Frankie Teardrop‘ (cover of original by Martin Rev & Alan Vega’s Suicide in 1977).

Read more about détournement HERE. Watch the original  Ballet Mécanique HERE.