We are proud to present the official music video for Nyanda Yeni, the first single of Thabang Tabane’s upcoming debut solo album, Matjale.
The music video, directed and edited by StraitJacket Tailor, is composed primarily of archival footage taken from apartheid-era cinema from South Africa. The images are borrowed from 1950s films and variety shows with some footage for 1970s propaganda films endorsing the notion of ‘separate development’. By taking apart old apartheid-era films and their fallacies of coonish fantasy, it slices and splices them in order to re-order their meanings. In other words, it subverts. Taking us for a loop. Also included in the film are short video clips of the legendary, late Dr. Philip Tabane performing, creating an arch that links father and son in life, love and malombo.
The archival clips are choreographed in a loop emulating the spinning of a record on a turntable, but also the vertiginous séance-like spin of a dance or chant for rain.
StraitJacket Tailor is a record collector, archivist, and award winning documentary film director/producer.
Nyanda Yeni is now available on most digital platforms.
The album, Matjale, drops digitally, on CD and on vinyl on Friday, the 14th of September, 2018.
Credits for Music Video:
Produced by Sifiso Khanyile and Boxcutter Studio
Directed and edited by #StraitJacket Tailor
Credits for Track:
Nyanda Yeni by Thabang Tabane
Music composed and arranged by Thabang Tabane
Lyrics from Traditional Song
Performed by Thabang Tabane (malombo drums, hlwahlwadi, toys & vocals), Dennis Moanganei Magagula (djembe, hlwahlwadi & toys), Sibusile Xaba (guitar & sounds) and Thulani Ntuli (electric bass guitar)
Produced by Thabang Tabane, Andrew Curnow & Dion Monti
Recorded by Andrew Curnow & Nhlanhla Mngadi
Mixed by Dion Monti & João Orecchia
Mastered by Norman Nitzsche at Calyx Mastering
Recorded live at the Tabane household, Mamelodi on 28 August 2016.
Executive Producers and A&R – Lindokuhle Nkosi, Chumisa Ndakisa & Andrew Curnow
Lovingly presented to you by Mushroom Hour Half Hour
Détournement par excellence.
Beijing-based Guan Xiao tries to steer away from the label “post-internet artist,” but, looking at her work, it’s obvious the tool—and the advancement that comes with it—is a big part of her creative endeavours. Both her sculptural and video pieces, which are often interconnected, draw on imagery found on the net, treating it both as a source and a platform.