“lost” – david wagoner

image

Djurgården, November 2015

Stand still. The trees ahead and the bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask it permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

the atemporality of “ruin porn”: the carcass & the ghost by sarah wanenchak

Discard Studies

*This post originally appeared on Cyborgology.

Photo by Matthew Christopher. www.abandonedamerica.usPhoto by Matthew Christopher.

Objects have lives. They are witness to things.
–This American Life, “The House on Loon Lake”

Atlantic Cities’ feature on the psychology of “ruin porn” is worth a look–in part because it’s interesting in itself, in part because it features some wonderful images, and in part because it has a great deal to do with both a piece I posted previously on Michael Chrisman’s photograph of a year and with the essay that piece referenced, Nathan Jurgenson’s take on the phenomenon of faux-vintage photography.

All of these pieces are, to a greater or lesser extent, oriented around a singular idea: atemporality – that the intermeshing and interweaving of the physical and digital causes us not only to experience both of those categories differently, but to perceive time itself differently; that for most of us, time is no longer a…

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reconciliation’s waste: heritage and waste in post-apartheid south africa

Analysis by Duane Jethro, one of my colleagues at the Archive and Public Culture Research Initiative.

Discard Studies

By Duane Jethro

Svetlana Boym argues that ruins “make us think of the past that could have been and the future that never took place”. She turns the idea about the link between the past and the future around, and suggests we can use ruined or wasted things for clues about society in the present. In this piece I want to think about what certain ways of talking about waste and ruins in South Africa can tell us about pasts that never came to be and futures that never took place.

To do so means briefly thinking about heritage and reconciliation. Heritage, or the singling out of certain histories and people for commemoration, is connected to the idea of reconciliation, because in South Africa, it was meant to do the work of bringing South Africans together as a nation. Through new museums, statues and memorials, heritage would help overcome the long…

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