Sympoiesis, not autopoiesis, threads the string figure game played by Terran critters. Always many-stranded, SF is spun from science fact, speculative fabulation, science fiction, and, in French, soin de ficelles (care of/for the threads). The sciences of the mid-20th-century “new evolutionary synthesis” shaped approaches to human-induced mass extinctions and reworldings later named the Anthropocene. Rooted in units and relations, especially competitive relations, these sciences have a hard time with three key biological domains: embryology and development, symbiosis and collaborative entanglements, and the vast worlds of microbes. Approaches tuned to “multi-species becoming with” better sustain us in staying with the trouble on Terra. An emerging “new new synthesis” in trans-disciplinary biologies and arts proposes string figures tying together human and nonhuman ecologies, evolution, development, history, technology, and more. Corals, microbes, robotic and fleshly geese, artists, and scientists are the dramatis personae in this talk’s SF game.

For Donna Haraway, we are already assimilated.

“The monster opens the curtains of Victor Frankenstein’s bed. Schwarzenegger tears back the skin of his forearm to display a gleaming skeleton of chrome and steel. Tetsuo’s skin bubbles as wire and cable burst to the surface. These science fiction fevered dreams stem from our deepest concerns about science, technology, and society. With advances in medicine, robotics, and AI, they’re moving inexorably closer to reality. When technology works on the body, our horror always mingles with intense fascination. But exactly how does technology do this work? And how far has it penetrated the membrane of our skin?”

Go HERE to read the rest of this article about Donna Haraway from way back in 1997.