grimes – flesh without blood/life in the vivid dream (2015)

“I could live in the world just like a stranger
I could tell you the truth or a lie
I could tell you that people are good in the end
But why, why would I?
Angels will cry when it’s raining
Tears that are no longer clean…”

From Art Angels (2015), available for download here. Written, directed, edited, coloured and art directed by Grimes.

And HERE is an interview with her.
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al bowlly – the very thought of you

Al Bowlly sings “The Very Thought of You” (1934). Jazz singer Al Bowlly sings his popular hit “The Very Thought of You” in the Pathe Studios, taken from Lew Stone’s famous ‘Monseigneur Band’. Bowlly was South African (although born in Mozambique) yet he became a great star in both the UK and America during the 1930s.

the incredible string band – a very cellular song (1968)

“Nebulous nearnesses cry to me
At this timeless moment
Someone dear to me wants me near, makes me high
I can hear vibrations fly
Through mangoes, pomegranates and planes
All the same
When it reaches me and teaches me
To sigh…

… Oh ah ee oo there’s absolutely no strife
Living the timeless life
I don’t need a wife
Living the timeless life
If I need a friend I just give a wriggle
Split right down the middle
And when I look there’s two of me
Both as handsome as can be
Oh here we go slithering, here we go slithering and squelching on
Oh here we go slithering, here we go slithering and squelching on
Oh ah ee oo there’s absolutely no strife
Living the timeless life

Black hair brown hair feather and scale
Seed and stamen and all unnamed lives that live
Turn your quivering nerves in my direction
Turn your quivering nerves in my direction
Feel the energy projection of my cells
Wishes you well.

May the long time sun shine upon you
All love surround you
And the pure light within you
Guide you all the way on.”

Album: The Hangman’s Beautiful Daughter (1968)

john fahey – the transfiguration of blind joe death

Full album (1965).

In a review for the 1967 Takoma reissue, ED Denson called the liner notes (by Alan Wilson of Canned Heat) “…a paranoid vision of reality unrivalled since Kafka. Nothing is what it purports to be directly, but everything is “in a certain sense” — people make statements like characters in B-grade horror films, the trivial becomes significant, the meaningful, nothing.”

The notes begin thus:

faheyA disgusting, degenerate, insipid young folklorist from the Croat & Isaiah Nettles Foundation for Ethnological Research meandered mesmerically midst marble mansions in Mattapan, Massachusetts. It was an unsavory, vapid day in the summer of 2010 as the jejune air from Back Bay transubstantiated itself autologically and gradually into an ozone-like atmosphere.

Knocking on a random door, haphazardly, the tasteless young man pondered the Hebraic inscription on the marble-tiled foot-brush, soporifically: “I wonder what the hell that means,” he said to himself reflexively.

The foot-brush backed itself into a corner at bay, with its back to the wall. Then, hissing at the wishy-washy young man, it reared up on its hind leg & stared into space, vociferously & stoicly.

At this juncture a somewhat equivocal shoe-shine man opened the door, munching on a vacant popsicle stick. Before greeting the young man he reached up with a tentacle and stroked the aging foot brush on its fore, thus quieting the beast’s existential anxiety.

“Pardon me,” the unflavored young man said casually, “Do you have any old arms and legs you’d like to sell? I’m paying thirty-seven, twenty-five, ninety-six, twelve cents apiece for old arms & legs depending on the condition they’re in.”

“Just one moment,” the splotched ontology professor mumbled, “I think we may have a few out back in the quagmire, or possibly near the fen, or then again we may have some by the waters of the boggy bayou. I must point out, however, that it is quite possible that we have none left. And I should also say that we may never have had any anyway. I certainly can’t remember ever having any.

Since the past went into a flux it’s very difficult to remember anything, you know. But I’ll certainly take a look. And don’t be afraid of my foot-brush. He’s been in the family for years. And, while it is quite true to say that he hisses a lot, and he certainly does, it is also quite true to say that he never bites anyone except when he does. But this is not the same as to say that he has actually bitten people, and I certainly wouldn’t go so far as to say that, because, well, for one thing I can’t remember anyway. But I’ll go look for those arms & legs like I said I would. Did I say I would?”

“Yes, you did,” the stale young man replied weakly.

“Well, then I will, in all probability,” the aging grave-digger muttered as he faded gradually through the irregular portal.

Read the rest HERE and more notes about the album HERE.

the tired sounds of stars of the lid

The Tired Sounds of Stars of the Lid is the sixth studio LP by ambient drone music group Stars of the Lid. It was released in late 2001 on the Kranky label, on two CDs and three LPs. The album features long minimal, droning compositions created from heavily treated guitar, horn, flute, piano, and other classical instruments. An interesting feature of the second track, “Requiem For Dying Mothers, part 2” is that it features a sample from the final scene of Andrei Tarkovsky‘s film Stalker, where the character Monkey pushes a glass across a table by way of telekinesis as a dog whines and a train whistle blows in the distance (watch the film free HERE).

molly drake – how wild the wind blows

Molly Drake (1915 – 1993) was Nick Drake‘s mother – clearly his talent was hereditary.

The acorn carries an oak tree
Sleeping but for a little while
Winter lies in the arms of spring
As a mother carries her child
And never knows
How wild the wind blows
A thought carries a universe
A seed carries a field of grain
Love lies in the arms of change
As a joy carries a pain
And no one knows
How wild the wind blows.

molly drake1

And here’s an article in The Guardian.

fleurmach at chimurenga pop-up tonight

I’m spinning some records here this evening – come say hi!

chimurengaChimurenga will be occupying the AVA stoep in Cape Town with a pop-up bookshop over three days, from the 27th to the 28th January 2016, from 4 – 7pm daily. The pop-up includes a live broadcasting studio of the Pan African Space Station (PASS), Chimurenga’s online radio, featuring a programme of music, interviews, and performances with Chimurenga collaborators in Cape Town, including People’s Education, Future Nostalgia, Lohla Amira and many more.

This event is produced in collaboration with VANSA and the AVA.

For more on the broadcasting schedule, please visit panafricanspacestation.org.za.

The live broadcast studio functions amidst an installation that brings together pop-up stores that experiment with trade, informal economies, aesthetics and body language, music and spoken word, mobility and infrastructure.

david bowie – lazarus

I was listening to David Bowie’s brand new album last night, thinking about how much I still love him. I can’t even begin to engage with how important Bowie and his work have been to me since I was a very young teenager. It’s washing over me in waves.

He felt like my guardian angel at times, transcending the vulgarity of the mundane, making alienation tangible and difference something to celebrate wildly… How strange to think of him as mortal.

Sayonara, Starman. What a gut-wrenchingly perfect exit.