“the mirror in the ground” book launch and exhibition

Happening next Thursday, 14 May 2015, this book launch and exhibition promises to be well worth attending. I’ve read parts of the manuscript for the book, and it deals with the topics of western scientific knowledge production and reading colonial archives “across the grain” in ways that are really apposite right now.

mirror

flex

This is an innarestin juxtaposition of two potent symbols: the butterfly represents change and the cobweb, stasis. Robert Pirsig talks of two primary forms of value, static and dynamic. It's the tension between them that produces change and then cements it, in art, society, basically anything ..

This is an innarestin juxtaposition of two potent symbols: the butterfly represents change and the cobweb, stasis. Robert Pirsig talks of two primary forms of value, static and dynamic. It’s the tension between them that produces change and then cements it, in art, society, basically anything ..

the goatman

combo

What is male sexuality, and will it always fuck you in the eye? Confronted by an eager male who intrudes into your space, the turn-on is the confidence, the turn-off is the arrogance. It’s great that the male is being forthright, but is he like this with just you, or every sexual object in his vicinity? If he fucks you, is he fucking you or his fantasy? My wife replied when I said I connect with her during sex, no, you connect with yourself ..

on self knowledge

Image: Eric Rondpierre

Image: Eric Rondpierre

Self knowledge is not fully possible for human beings. We do not reside in a body, a mind or a world where it is achievable or, from the point of being interesting, even desirable. Half of what lies in the heart and mind is potentiality, resides in the darkness of the unspoken and unarticulated and has not yet come into being: this hidden unspoken half of a person will supplant and subvert any present understandings we have about ourselves. Human beings are always, and always will be, a frontier between what is known and what is not known. The act of turning any part of the unknown into the known is simply an invitation for an equal measure of the unknown to flow in and reestablish that frontier: to reassert the far horizon of an individual life; to make us what we are – that is – a moving edge between what we know about ourselves and what we are about to become. What we are actually about to become or are afraid of becoming always trumps and rules over what we think we are already…

— David Whyte, 2014. Excerpted from “Self Knowledge”, from the upcoming book of essays CONSOLATIONS: The Solace, Nourishment and Underlying Meaning in Everyday Words.

amy leibrand

amy leibrand_03

“My name is Amy Leibrand. I reside deep in the suburbs of Columbus, Ohio. I am a science writer. This is just a fancy way of saying I take data and summarize it.”

Read more of this interview and see more of her work and some of her compositing techniques HERE.

Amy’s own website is also well worth checking out, HERE. This is excerpted from her artist’s statement:

“My work shifts between visceral, uncomfortable, intimate self-portraits and surreal travel narratives; by nature, I am a wanderer, both in body and in mind. Colossal legs that dwarf a desert, forest, mountain landscape reveal the discomfort I feel in my surroundings, and the endless search for satisfaction, perhaps even a nod to escape. Turning the camera on myself, self-portraits illustrate the endless conflict between internal and external dialogue: pretty versus ugly, fearless versus cowardly, and so on. Using subtle odd, dreamlike, humoristic and disturbing elements, my intent is to objectify not only my own emotions, but those of the viewer. I want the viewer to become part of my work, as their reaction has as much to do with the art as the artwork itself.”

amy leibrand_08

eart mudder

‪#‎BedtimeStory‬: "every mouth you’ve ever kissed was just practice all the bodies you’ve ever undressed and ploughed in to were preparing you for me. i don’t mind tasting them in the  memory of your mouth they were a long hall way a door half open a single suit case still on the conveyor belt was it a long journey? did it take you long to find me? you’re here now, welcome home.”  ―Warsan Shire

‪#‎BedtimeStory‬:
“every mouth you’ve ever kissed
was just practice
all the bodies you’ve ever undressed
and ploughed in to
were preparing you for me.
i don’t mind tasting them in the
memory of your mouth
they were a long hall way
a door half open
a single suit case still on the conveyor belt
was it a long journey?
did it take you long to find me?
you’re here now,
welcome home.”
―Warsan Shire

 

kola boof

This Ohio bookseller refuses to carry African writer Kola Boof's novels because of nudity.

This Ohio bookseller refuses to carry African writer Kola Boof’s novels because of nudity.

“I don’t agree that I am controversial. What I feel is that most people are not critical thinkers.  The society tells them what to believe, what to think…and their knee jerk reactions are guided completely by that conditioning.  They usually realize later on that what I’m saying is not controversial… when they take time and think in depth.  Even if they don’t agree with me… they understand what I’m saying without all the claims of being shocked by controversy.  I’m not a controversial person if you’re a critical thinker.”

Check out Kola Boof’s website, where you can also read more of this interview.