pharmakon – bestial burden (short film, 2014)

Directed by: Nina Hartmann and Margaret Chardiet.

Four days before New York noise musician Margaret Chardiet was supposed to leave for her first European tour as Pharmakon, she had a medical emergency which resulted in a major surgery. Suddenly, instead of getting on a plane, she was bedridden for three weeks, missing an organ.

“After seeing internal photographs taken during the surgery, I became hyperaware of the complex network of systems just beneath the skin, any of which were liable to fail or falter at any time,” Chardiet said. “It all happened so fast and unexpectedly that my mind took a while to catch up to the reality of my recovery. I felt a widening divide between my physical and mental self. It was as though my body had betrayed me, acting as a separate entity from my consciousness. I thought of my corporeal body anthropomorphically, with a will or intent of its own, outside of my will’s control, and seeking to sabotage. I began to explore the idea of the conscious mind as a stranger inside an autonomous vessel, and the tension that exists between these two versions of the self.”

Consumed by these ideas, and unable to leave her bed, Chardiet occupied herself by writing the lyrics and music that would become Bestial Burden, the second Pharmakon LP for Sacred Bones RecordsThe record is a harrowing collection of deeply personal industrial noise tracks, each one brimming with struggle and weighted with the intensity of Chardiet’s internal conflict.

Release date: 10/14/2014

Listen to the full album HERE.

 

robert rental & thomas leer – day breaks, night heals

From the 1979 album The Bridge.

“Recording Info: This album was recorded at home on 8 track equipment, provided for us by Industrial Records. It was produced in two weeks dating 18th June to 2nd July. All blips, clicks & unseemly noises were generated by refrigerators & other domestic appliances & are intrinsic to the music. Special Thanks to Throbbing Gristle for their help & encouragement throughout.”