chantelle gray live at the window (2017)

Chantelle Gray live at The Window, an evening of experimental music, performance and visual art at the Theatre Arts Collective, Observatory, Cape Town, 29 January 2017.

Chantelle’s movements are captured by a 3d motion sensor and translated live into controller data for a musical piece written in Supercollider by Aragorn Eloff.

lliezel ellick, rosemary lombard & roxanne de freitas live at the window (2017)

Live non-verbal improvisation performed in absolute darkness, interacting with a cellphone recording from the day before, at The Window, an evening of experimental music, performance and visual art at the Theatre Arts Admin Collective, Observatory, Cape Town, 29 January 2017.

“It’s not easy to improvise… It’s the most difficult thing to do. Even when one improvises in front of a camera or microphone, one ventriloquizes or leaves another to speak in one’s place the schemas and languages that are already there. There are already a great number of prescriptions that are prescribed in our memory and in our culture. All the names are already pre-programmed. It’s already the names that inhibit our ability to ever really improvise. One can’t say what ever one wants, one is obliged more or less to reproduce the stereotypical discourse. And so I believe in improvisation and I fight for improvisation. But always with the belief that it’s impossible. And there where there is improvisation I am not able to see myself. I am blind to myself. And it’s what I will see, no, I won’t see it. It’s for others to see. The one who is improvised here… no, I won’t ever see him.”

— Jacques Derrida, unpublished interview, 1982, reproduced in David Toop’s Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970, Bloomsbury, 2016, pg 21.

the window – 29 january 2017

 

the-window

Join us! More details HERE. Dedicating my performance to Mark Fisher, who took his own life the other day. His brilliant work, particularly this blog post on hauntology, has been profoundly influential on how I understand archive and aspire to use sound. I’m so sad he is gone.