living next door to alice (in W-LAN) (2010)

off with her head

i’m never really here
never really not here

this is the in-between
where we un-appear
in the web of day to day
it’s the back alleyway
that sucks us in

mind that gap, gal, you say,
it’s no zero-sum game.

ja-nee
it’s a dirty crack habit
but i’m not paying, pal!

i’m chasing that rabbit
i’m hunting that quark
i’m ripping, unzipping
tumbling through the dark

i’m pulled, i’m polluted
the vertigo’s heady
the jostling vacuum
blaring and unsteady

warrens of voids
streaming past
screaming future
endlessly new
have i seen this already?

uh-huh, it’s not pretty
these blown-up dead pixels
no taste, so not witty
they stink like nothing

on earth

in asunderland
nothing rots

i’m always here, not-here
it’s off with me ’ead
when bored, i bore deeper
through holes yet unread

i need more; drop a fresh tab

hop a window

and i tiptoe
past the daemon
with a keygen
while it snores
unlock the door

to

another tube flickr-ing
twittering, bickering
low resolution
there’s no revelation
there’s no revolution
just revaluation
search optimisation
and too many shares

i spin rumpelstiltskins’
straw dogs into gold
using worm-riddled troll jam
i scavenge ‘twixt threads

i needle this grey gunk
i snip it to shreds
i bump and i juggle
grind bones badly bred

i flip and i giggle
i slough off my shame
i slurp it up, spew it out
flooding the drain

logged in or logged out
i have no real name
if I do it is M.U.D.
and i’m out of my death

and where is my body?

my own flesh and blood
it sleeps with the ‘fiches
not holding its breath

see, it doesn’t do digital
it keeps crashing
so it’s chained to the terminal
wired to the grid
with a stay of execution

logged on or logged off
the haunted dimension
buzzes in my marrow
drowns out my dreams
howls me back
out of bed
out of the car
out of the street
from the supermarket
from the sunset
from supper
in a stupor
on my phone
into my inbox
unto my outbox
onto the blog

*welcome to [UR(hel)L]*

you can’t turn off a never-present stranger.

(2010)

alice1

shilpa ray – posted by anonymous (live, 2013)

From the Deeper Down studio session (2013).

I’m pressed against a window
Flat
With a broken nose
Rhinoplasts and the bombs blastin’
Who’s scalping tickets for this show?

Lines round the block in
circles
A Human Centipede
I wanna be the victim
who gets the most sympathy

Don’t reward my participation
Or teach me about masturbation
I could fake your newest sensation
Steal someone else’s imagination
Microdermabrasion

Oh I’ve gotta feeling
I don’t have to be real
No I’m not real

I’M NOT EVEN HERE

Headlines talkin’ and your
Picture’s Squawkin’
You haven’t said a word
Hysterical Historical
How did you get your foot in the door?

Mass killin’s thrillin’
Public’s appealin’ on TV
And when you have your say
Starlings
What are you gonna say to me?

Don’t reward my participation
Or teach me about masturbation
I could fake your newest sensation
Steal someone else’s imagination
Crystal Blue Persuasion

What is the meaning?
I don’t wanna hear?
No I can’t hear.
No I can’t hear
I’M NOT EVEN HERE

fischerspooner – emerge

“Hyper-media-ocrity”

A decade ago, you couldn’t go out in Cape Town on a Friday for about a year without hearing this somewhere (or, as a DJ, being begged to play it by punters). It was HUGE.

Appearing on the performance art/electroclash duo Fischerspooner’s first album #1, “Emerge” was released as a single three times: first in 2001 on International Deejay Gigolo Records then by FS Studios/Ministry of Sound in 2002, and on Capitol in 2003.

mind the static

static glitterShintaro Kago 駕籠 真太郎) born 1969 in Tokyo, is a Japanese guro manga artist. He made his debut in  in the magazine COMIC BOX, in 1988.

Shintaro Kago’s style has been called “fashionable paranoia”. He has been published in several adult manga magazines, gaining him considerable popularity. Many of his manga have strongly satirical overtones, and deal with grotesque subjects. He has also written Sci-Fi non-guro manga, most notably Super-Conductive Brains Parataxis (超伝脳パラタクシス Choutennou Paratakushisu) for Weekly Young Jump. Many of his shorts are experimental and bizarre. He frequently breaks the fourth wall, and he likes to play with page layout in extreme ways, mostly for comedic effect.

(Info from wikipedia.com)