The following videos are posted by very young teenage girls looking for validation from strangers online in the face of negative comments about their appearance… There are MANY, MANY videos like this on Youtube – it’s become a strange sort of meme.
The exact motives for making these movies are mixed, but if you read the comments under the videos, you’ll see how mean people can be under the cloak of anonymity – meaner, probably, than the unkindness at school that the girls are hoping to drown out with the “objective” opinions of strangers online, for this is what all the videos have in common.
I don’t think I will ever understand how hurting someone else, even if it is because you yourself are hurting, could help you feel better at all… which I guess is what always made me an easy target for bullies myself. I don’t retaliate because it doesn’t make sense to me to do so. That’s lethal bully-bait when coupled with the conviction to stand up for oneself, to speak back. I hit people teasing me a few times when I was a kid, mainly to get them out of my face. It made me feel sick to do that, and it didn’t help. Mostly I would just try to shout them down.
My mom’s mantra, “Sticks and stones may break my bones, but words will never harm me,” roared uselessly.
It took me years and years to figure out how futile and dangerous it is to try to shout, to speak, to whisper back, to appeal to sense and truth, to reason with cruelty. It doesn’t work, because cruelty isn’t rational. It is senseless. Cruelty is fed by any and every reaction. These girls won’t realise until the damage is already done and they have lost their voices completely. It hurts to watch them exposing themselves to so much pain.
“I feel like I could just go away and never come back. I feel like I’ve been standing all these years and keep getting torn down… Deep down inside, all girls know that other people’s opinions don’t matter, but we still go to other people for help because we don’t believe what people say.”
~ Faye (13). More on her story HERE.
“Bullying represents a negative form of seeking attention. The bully is an excessively damaged person asking for help in a devastating way. While compassion is a fantastic quality, our society does not have the tools to deal effectively with this scourge. As a victim of bullying throughout my educational career (including, though less frequent, at college) I had absolutely no support from anybody. People thought bullying was ‘funny’. The bully has no control of his bullying and is not going to stop because he is shown ‘compassion’.
“The bully seeks power from the very person most likely to let him have it! It is a very weird psychology. However society does not have any mechanism (certainly not in schools, although there are pockets of greater awareness) to check this hurtful and harmful behaviour because the bully will find a way outside of school environment.
“Usually, the only thing the bully will listen to is if he is challenged directly. Sadly this challenge may come at a time when the VICTIM has lost rationale and has become desperate. Domestic violence is another form of bullying. Once a victim is forced into silent suffering the results become tragic.
“Being bullied taught me how to become INVISIBLE and it took about 10 years of my life AS AN ADULT to work my way out of this ‘death’. This was my only defence. In hind sight this has given me an invaluable tool: I am now an eternal REBEL.”
~ Helge Janssen
Written in response to THIS OPINION PIECE on bullying, published today on the Daily Maverick website.
“Bullying is about rejection and belonging. It stems from the need for a place in the world and the feeling that one has been denied that need. When young people feel properly welcomed in the world, when they feel their gifts being led out, they do not feel the need to claim their place through violence or meanness. When a person bullies, or shoots his bully, it shows us that we did not provide that young person the opportunity to grow his or her gifts.
“Instead of recognising this, our emotional reaction is often to try to reclaim control, to clamp down. It is a reaction that feeds and deepens the roots of alienation in young people – roots that grab in the belly and grow through the heart until they bloom red in schools. In the United States, where I am from, we have experienced school violence at heretofore unknown levels. We have often responded in all the wrong ways and have managed to turn many of our schools into places that more closely resemble prisons than places in which the inherent gifts of each individual person are ushered into the world.”
Read the rest of this opinion piece HERE.
“I’m struggling to stay in this world, because everything just touches me so deeply. I’m not doing this for attention. I’m doing this to be an inspiration and to show that I can be strong. I did things to myself to make pain go away, because I’d rather hurt myself then someone else. Haters are haters but please don’t hate, although I’m sure I’ll get them. I hope I can show you guys that everyone has a story, and everyones future will be bright one day, you just gotta pull through. I’m still here aren’t I ?”
~ Amanda Todd (on making the above video, posted in September 2012)
RIP Amanda Todd: November 27, 1996 – October 10, 2012
Video posted four hours before her suicide.
In Alice, a little girl follows a white rabbit into a world where nothing is quite what it seems. Where Czech surrealist Švankmajer’s Alice differs from other adaptations of Lewis Carroll’s Alice in Wonderland is that it explores the book’s darker side as well, thereby remaining faithful to the tone of uneasy confusion that pervades the original story. A live-action Alice (Kristyna Kohoutova) inhabits a Wonderland that teems with threatening stop-motion characters. Švankmajer’s visual canniness and piercing psychological insight permeate the film with a menacing dream-logic. Curiouser and curiouser.
W. W. Young’s 1915 film of Lewis Carroll’s Alice in Wonderland. Starring Viola Savoy as Alice. Produced by The American Film Manufacturing Company (Flying A Studios) and released on 19 January 1915.
Directed by two of the founders of British cinema, Cecil Hepworth and Percy Stow, its original running time of twelve minutes made the first cinematic adaptation of Lewis Carroll’s literary classic the longest running British film to date.The one remaining print has been restored by the BFI, and here it is, courtesy of Youtube.
Alice in Wonderland was clearly made for cinema goers who had already read the book, hence describing this version of Alice in Wonderland as a literary adaptation in the modern understanding of the term may be misleading (without prior knowledge of the books, deciphering the events of the film would be quite difficult). Given the film’s length, it would be better to describe it as a series of vignettes from the book. It is perhaps this aspect of the film’s organisation that gives it a peculiar and slightly disjointed feel.
It is memorable for its use of special effects, clearly inspired by the likes of Georges Méliès and the Lumière Brothers.
Despite the BFI’s best efforts, the original reel of Alice in Wonderland was damaged to such an extent that the deterioration is quite clearly visible on the restored print. This however, only heightens the dreamlike atmosphere of the film. Combined with the fact that the film is not a ‘conventional narrative’, Alice in Wonderland can be seen as a forerunner for the works of surrealist filmmakers such as René Clair, Luis Buñuel and Jean Cocteau.
Read more about the film HERE.
“Shah is a singer-songwriter of Norwegian and Pakistani parentage from a small coastal village in the north-east of England, but she could just as easily be the result of a steamy union in the capital some time in the early-90s between Polly Harvey and Nick Cave. That’s the lineage to which her dark tales of lust and loss, revenge and regret belong, although she also cites as influences everyone from Philip Larkin and Frida Kahlo to Interpol and Arthur Russell (something in the tremulousness of her voice bears the latter out) as well as the religious Sufi songs that her father would play during car rides and the ghazals he sang in Urdu around the house… There is romance in her backstory, even if it’s not of the troubled variety. Shah grew up on a rocky cliff overlooking the North Sea. Her mum was a sea captain’s daughter, and her dad was the exotic stranger who stole her heart. Her debut album will be called Love From Dum And Mad, its title capturing the intriguing split in Shah’s character between loving family girl and avenging banshee.”
– Paul Lester, The Guardian
The Aching Bones EP was released on 19 November 2012 by Label Fandango. More from Nadine Shah HERE.