Details of performances and workshops at www.edgeofwrong.com.
Details of performances and workshops at www.edgeofwrong.com.
Expect a variety of sonic and visual explorations of the edges from a huge range of international and local artists: drumming ensembles, thunderous noise musicians, avant-pianists, drone ensembles, ambient artisans, post-post-punks, sonic clay sculptors, algorithmic composers, fringe poets, sound theatre, dance, live painting, the melodies of knitting patterns.
In collaboration with Contour Vinyl we will also be launching our first vinyl series: 12 highly limited lathe-cut 7″s containing exclusive works by the artists performing at the festival. These 7″s, each available in a micro-run of only 10 copies, will be available for purchase at our 2017 events.
“An edge is a special kind of being-in- place; it marks the transition between something and nothing. Edges are limits, and also shape-defining margins. To be at the edge is to exist in the “in” of the “in-between,” in the instant between one time and another. An edge cuts and changes whatever it encounters. It is where movement must stop or turn in a different direction; it is where people plummet into the abyss, or learn to fly. Things end, and begin, at this place—but nothing stays at the edge forever. Edges mark the boundaries of empty space, but they also represent the transformational places where new possibilities open up again.” – David Novak, Japanoise: Music at the Edge of Circulation
WED 26th Amuse Cafe, 34 5th St, Linden, Johannesburg, 19:00
– Healer Oran
– Datsrok [Norway]
– MONOMORT [Norway]
– Thomas Holme [Norway]
THU 27th The Bijou, 178 Lower Main Rd, Cape Town, 20:00
– Jill Richards
– Coila Enderstein / Daniel Grey
– Darkroom Contemporary (short film)
– DATSROK (Kenneth Korstad Langås, noise) [Norway]
– Dolly Turing [UK]
– Khoi Konnexion
FRI The Bijou, 178 Lower Main Rd, Cape Town, 20:00
– Daniel W J Mackenzie [UK]
– RISK (lliezelellick, nonentia, choir, four drummers)
– As Is with Didi Didloff and Vasti Knoesen
– Belinda Blignaut and Jacques van Zyl
– Cara Stacey and Hanan Benammar [Norway]
SAT 29th The Common Room, 135 Albert Rd, Woodstock, Cape Town, 19:00
– Justin Allart and Thomas Holme [Norway]
– Gareth Dawson and Rhea Dally
– Jason Stapleton, Lucy Hazard (projection to audio by Justin Allart)
– Chantelle Gray and Anastasya Eliseeva
– MORKEN [Norway]
SAT Afterparty at the Common Room
– DJ’ing by 3EYE, Violet Beausoleil and Kenneth Angerhand [UK/SA/UZ]
Hanan Benammar (DZ/FR) – Giraffes don’t Whistle
Giraffes don’t Whistle is a silent karaoke video installation made in collaboration with the students of Brendon Bussy’s class at the Dominican School for Deaf Children.
The videos will explore the relationship between dream, landscape, night activities and perceived sounds from the narratives of the participants.
Mattias Cantzler (SE) – Marius Stocking Blues
Marius Stocking Blues is an experimental sound installation consisting of a self made busker organ.
The organ plays automatically by using a handle and based on a traditional Norwegian knitting pattern called the Marius pattern.
The knitting pattern used in the project is translated into braille, a script for blind people. Inspiration for the project is taken from phonography, cryptography, geometry, mosaic and textiles. The work relates to older forms of communications like for example telegraphy, smoke and light signals, but also has similarities to early computer technology.
R100 suggested cover charge per event (more or less according to means).
Right of admission reserved. Cellphones to be switched off during performances.
STUFF TO BRING: A comfy cushion you don’t mind getting dirty. Your own drinks. An open mind.
A BIT MORE ABOUT EOW:
HUNTER THOMPSON ONCE SAID that there is no honest way to explain the edge, “because the only people who really know where it is are the ones who have gone over.”
It is a kind of hidden place that is revered and feared by some – the hellish underbelly of the world. Yet it is also a place searched for, written about, and found in the music of the strange. And it is this edge we want to bring to you by creating a space which allows musicians to etch out the edge of wrong, pushing the boundaries so that new sounds might be found.
The EDGE OF WRONG festival is currently in its twelfth year and serves mainly to facilitate cultural exchange. Though it has become an established production network it is forever evolving, intent on creating a sustainable environment for quality art of an exploratory nature.
Perfection is death, as it leaves nothing to be desired.
More information about this year’s festival HERE.
Taken from the CD ‘Early Works 1967 – 1982’ (EM), “Tiger Balm” is a piece originally released as a 10″ with Issue No. 9 of SOURCE magazine, USA 1970. More Annea Lockwood HERE.
Please join us for an evening of experimental live music hosted by the Edge of Wrong and featuring performances from pianist Coila-Leah Enderstein, electronic musician Daniel Gray, noise maestro Justin Allart and movement-based composition artists Aragorn23, Chantelle Gray and Amantha.
Entrance is pay-what-you-can (recommended donation R50) and you can bring your own refreshments. Please make sure you arrive by 7:30 to minimise disruptions during performances.
___ ABOUT THE ARTISTS ___
Coila-Leah Enderstein is a classically trained pianist based in Cape Town. She’s into in experimental new music and interdisciplinary performance.
daniel gray is an artist from johannesburg and now lives in cape town. he is currently working as a high school maths teacher. he is interested in sound as image, dreams, collective improvisation and chance processes. in 2014-2016 he released an audiovisual album called “fantasmagoria”, a noise/peace album called “mssapessm”, took part in GIPCA live arts festival, performed around cape town, formed the now defunct subdwellers dj collective, started primitive ancestor records – a net label, to name a few of the many noisy endeavours. this will be the third edge of wrong event that he has participated in.
Justin Allart is a highly prolific experimental/noise musician who performs using a motley array of non-musical instruments. Expect sandpaper on turntables and effects pedals talking to themselves.
Aragorn23 is an experimental musician based in South Africa. His current work focuses on algorithmic and gestural composition and the use of the body as an instrument. He will be performing alongside collaborators Chantelle Gray and Amantha on the evening.
From 14-17 July, NewMusicSA presents the 2016 Unyazi Electronic Music Festival at the South African College of Music, University of Cape Town. This year’s festival is themed around the idea of ‘infrastructures’ as the various mechanisms of access and mobility we find in the cities around us, and the various ways we use, subvert, and transform these. These mechanisms range from roads and highways to water works and the electricity grid. The theme also speaks to the growing infrastructures of electronic music in South Africa like studios, albums, networks, and archives. In the end, electronic music is realised through movement and mobility of signals across wires, consoles, mixers, pick-ups, mics, and speakers, each a form of infrastructure.
The festival will present four evening concerts, two lunch time concerts, and three workshops. The programme brings together a diverse cast of composers and performers presenting everything from acousmatic music to mixed-media works to live ensembles mic’d-up and manipulated in weird and wonderful ways. Check out the full programme HERE.
Tickets are priced at R30 for students and pensioners, R50 for anyone else (per concert). Tickets available at the door.