brian eno: imaginary landscapes (1989)

“I thought: I want to make a kind of music that had the long Now and the big Here in it, and for me that meant this idea of expanding the music out to the horizons. In terms of space, you were not aware of the edges of the music. I wanted to make a music where you just wouldn’t know what was music and what wasn’t… a music that included rather than excluded; a music that didn’t have a beginning and an end… This is the sense of making the Now longer.”

A 1989 documentary on Brian Eno’s work in ambient sound.

 

words, words, words: on toxicity and abuse in online activism

“At its best, activism is not merely opposition to what is, it is also constructive of what will be. Ours is not a utopia of negatives– a world without this, without that, and so forth– but also a world of affirmatives and possibilities. This swirling gyre of rage and ressentiment is a terrible artefact of oppression, and one we ought not consign ourselves to. It is not a wormhole to liberation, however much we may wish it to be.”

Cross With You

To all new readers: I’ve written a follow up to this article.

Not long ago my partner and I were seated in her car discussing the arbitrary nature of certain holidays and I opined, perhaps halfheartedly, that New Year’s was a worthwhile holiday simply for it being a useful vantage point for reflection, however arbitrary. It provides an overlook whence one can see a year of one’s life and world. A recent tranche of writing by severalprominentmembersof the trans and queer feminist gaming community has renewed my faith in that idea– with the overleaf of the year we suddenly find a great deal of penetrating insight into activist discourse and the risks incurred by our silence about certain excesses that have come to define us too often.

The wages of rage in our communities, and the often aimless, unchecked anger striking both within and without have…

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audre lorde on the erotic

The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognised feeling…

Of course, women so empowered are dangerous. So we are taught to separate the erotic from most vital areas of our lives other than sex…

The principal horror of any system which defines the good in terms of profit rather than in terms of human need, or which defines human need to exclusion of the psychic and emotional components of that need — the principal horror of such a system is that it robs our work of its erotic value, its erotic power and life appeal and fulfilment. Such a system reduces work to a travesty of necessities, a duty by which we earn bread or oblivion for ourselves and those we love. But this is tantamount to blinding a painter and then telling her to improve her work, and to enjoy the act of painting. It is not only next to impossible, it is also profoundly cruel.

. . . [O]nce we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives…

During World War II, we bought sealed plastic packets of white, uncolored margarine, with a tiny, intense pellet of yellow coloring perched like a topaz just inside the clear skin of the bag. We would leave the margarine out for a while to soften, and then we would pinch the little pellet to break it inside the bag, releasing the rich yellowness into the soft pale mass of margarine. Then, taking it carefully between our fingers, we would knead it gently back and forth, over and over, until the color had spread throughout the whole pound bag of margarine, thoroughly coloring it.

I find the erotic such a kernel within myself. When released from its intense and constrained pellet, it flows through and colors my life with a kind of energy that heightens and sensitizes and strengthens all my experience.

Lorde, Audre. “Uses of the Erotic: The Erotic as Power.” Sister Outsider: Essays and Speeches. Freedom, CA: Crossing Press, 1984. 53-59.