“i’m inspired: i cannot understand hate”: ray chikapa phiri 1947-2017

sisgwenjazz

“Songs as truthful as a dream/flow as steady as a stream/A stream of knowledge and of pain…”

Ray oldIf any words summed up the work of Raymond Chikapa Enoch Phiri, who died of lung cancer on Wednesday, aged 70, in his birthplace, Nelspruit, it was those. They come from the 1986 song he co-wrote with the Ashley Subel: Whispers in the Deep (https://www.youtube.com/watch?v=Qy9QPjUkvvM) – a song that became one of the decade’s anthems of liberation, and lives still.

Phiri’s Malawi-born father, “Just Now” Phiri, was a guitarist, and that family history gives the lie to all the xenophobic myths that cringe before colonialist borders. Migrant workers just like ‘Just Now’ built the economy, and fattened capitalist profits with their sweat. But they also built South African culture and music through the sharing, swapping and inventing of ideas that took place in hostels, shebeens and backyards. The king of instruments…

View original post 908 more words

little willie john – my love is

William Edward John (November 15, 1937 – May 26, 1968), better known by his stage name Little Willie John, was an American R&B singer who performed in the 1950s and early 1960s. He is best known for his popular music chart hits, such as “Fever” in 1956 (later covered in 1958 by Peggy Lee).

Infamous for his short temper and propensity to abuse alcohol, Willie John was dropped by his record company in 1963. In 1966, he was convicted of manslaughter and sent to Washington State Penitentiary following a fatal knifing incident after a show in Seattle. He appealed against his conviction and was released while the case was reconsidered, during which time he recorded what was intended to be his comeback album, but owing to contractual wrangling and the decline of his appeal, it was not released until 2008. He died in 1968 at Washington State Penitentiary in Walla Walla, Washington. His official cause of death (at the age of just 30) was listed on the death certificate as a heart attack. (Info from Wikipedia.)

au revoir, alain resnais

“You never seem to be waiting for me, but we kept meeting at every turn of the paths. Behind every bush, at the foot of each statue, near every pond. It is as if it had been only you and I in all that garden.”

 From Last Year at Marienbad, 1961

mon oncle

Alain Resnais and Delphine Seyrig on location shooting “Last Year At Marienbad.”

I made this in 2007 (hence the bad Youtube quality – compressed to all hell).

ross campbell – song for alex

Ross Campbell wrote this heartfelt song for our extraordinary, mercurial friend, the visionary artist and musician Alex van Heerden, who was killed five years ago this morning in a car accident. The hole he left will never be closed.

HERE is another tribute written by Righard Kapp at the time of Alex’s passing.

And here is Alex talking with his singular insight at a workshop on Cape music held in Basel in 2006:

still so far to go, south africa

mandela fist

Yesterday, on the day those in control would later turn Nelson Rolihlahla Mandela’s life support system off, allowing him his final, politically expedient release after months held captive in a purportedly vegetative state, I was driving with my niece Juliette in KwaZulu-Natal, behind a white woman in a bakkie. The passenger seat of the vehicle was empty. In the open back, bumping around in the drizzling rain, sat a black woman in a blue maid’s uniform trimmed, profound irony, with ribbon in the rainbow hued design of the “new” South African flag.

Utterly disgusted, Juliette and I wanted to yell out something as we drove past, something to say that we saw, we recognised, we hated the thoughtless inhumanity of the woman in the driver’s seat, and that we saw, we recognised, we hated that this was a microcosm of the sickness persisting in the world all around us every day… but something in the grim, faraway expression on the face of the woman in the back made us realise that anything we said, however well-intentioned, would only compound her humiliation. Even the clouds were spitting on her.

South Africa still has so far to go before there can be any exaltation about transformation here. Sadly, far too little in the material circumstances of the majority of South Africans has changed since 1994, and for this reason the triumphant official narrative we are bombarded with today, as the media orchestrate the nation’s performance of grief for Mandela’s passing, rings hollow. Despite the man’s humility and admission of his own fallibility, South Africans have fashioned of him a myth, a brand, a magical fetish that distracts from the truth that we are ALL responsible for changing the way we live in this country, this world… and that we will need to do more, much more, before we can talk about freedom from oppression.

My friend Andre Goodrich posted a similar anecdote on Facebook this morning, and I would like to share what he wrote and echo his exhortation:

“From my office window, I can see a young white foreman, a child really, sit watching black men at work. I see this when I look up from marking first year exam essays on the political economy of race and class in South Africa. Alongside the stack of exam papers is a sheet of paper a garden worker used to explain to me how he sees the word ‘location’ as related to the Tswana word for cattle kraal. Between these, the excitement I felt in the 90s for the massive change promised by Mandela’s release from prison feels false and jaded.

I am saddened by Mandela’s death, but I am angered by his leaving such a sense of transformation amid such an absence of it. I encourage you to be angry too, and to hold us all to a better standard than what we have settled for.”

Lala ngoxolo, Madiba. A luta continua.