unholy ghosts

cranesModernity was built upon ‘technologies that made us all ghosts’, and postmodernity could be defined as the succumbing of historical time to the spectral time of recording devices. Postmodernity screens out the spectrality, naturalising the uncanniness of the recording apparatuses. Anyone hearing a recording of their own voice or seeing a photograph of themselves is presented with a double. The uncanny thought, often repressed or forgotten, is that the recordings and the photographs will survive us; that as we contemplate them, we are put in the position of a ghost.

— From “Phonograph Blues” by k-punk, from a decade-old blog I love, HERE.

 

simone weil – self-effacement

simone weil gravity and graceGod gave me being in order that I should give it back to him. It is like one of those traps whereby the characters are tested in fairy stories and tales on initiation. If I accept this gift it is bad and fatal; its virtue becomes apparent through my refusal of it. God allows me to exist outside himself. It is for me to refuse this authorisation.

Humility is the refusal to exist outside God. It is the queen of virtues.

The self is only the shadow which sin and error cast by stopping the light of God, and I take this shadow for a being.

Even if we could be like God it would be better to be mud which obeys God.

To be what the pencil is for me when, blindfold, I feel the table by means of its point—to be that for Christ. It is possible for us to be mediators between God and the part of creation which is confided to us. Our consent is necessary in order that he may perceive his own creation through us. With our consent he performs this marvel. If I knew how to withdraw from my own soul it would be enough to enable this table in front of me to have the incomparable good fortune of being seen by God. God can love in us only this consent to withdraw in order to make way for him, just as he himself, our creator, withdrew in order that we might come into being. This double operation has no other meaning than love, it is like a father giving his child something which will enable the child to give a present on his father’s birthday. God who is no other thing but love has not created anything other than love.

All the things that I see, hear, breathe, touch, eat; all the beings I meet—I deprive the sum total of all that of contact with God, and I deprive God of contact with all that in so far as something in me says ‘I’.

I can do something for all that and for God—namely, retire and respect the tête-à-tête.

The strict carrying out of ordinary human duty is a condition which makes my withdrawal possible. Little by little it wears away the ropes which fasten me to the spot and prevent me from retiring.

I cannot conceive the necessity for God to love me, when I feel so clearly that even with human beings affection for me can only be a mistake. But I can easily imagine that he loves that perspective of creation which can only be seen from the point where I am. But I act as a screen. I must withdraw so that he may see it.

I must withdraw so that God may make contact with the beings whom chance places in my path and whom he loves. It is tactless for me to be there. It is as though I were placed between two lovers or two friends. I am not the maiden who awaits her betrothed, but the unwelcome third who is with two betrothed lovers and ought to go away so that they can really be together.

If only I knew how to disappear there would be a perfect union of love between God and the earth I tread, the sea I hear…

What do the energy, the gifts, etc. which are in me matter?

I always have enough of them to disappear.

‘Et la mort à mes yeux ravissant la  clarté
Rend au jour qu’ils souillaient toute sa pureté…’*

May I disappear in order that those things that I see may become perfect in their beauty from the very fact that they are no longer things that I see.

I do not in the least wish that this created world should fade from my view, but that it should no longer be to me personally that it shows itself. To me it cannot tell its secret which is too high. If I go, then the creator and the creature will exchange their secrets.

To see a landscape as it is when I am not there…

When I am in any place, I disturb the silence of heaven and earth by my breathing and the beating of my heart.

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*‘And death, robbing my eyes of their light, restores to the day they sullied all in purity…
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Excerpted from Simone Weil‘s Gravity and Grace. First French edition 1947. Translated by Emma Crawford. English language edition 1963. Routledge and Kegan Paul, London.

homo sacer

A really clear, simplified explanation of Giorgio Agamben‘s discussion of Homo sacer: someone forcibly reduced to bare life, cf. Simone Weil’s forcible destruction of the “I”.

Read also Achille Mbembe on people reduced to being conceived of as surplus or waste:

“Perhaps to a degree hardly achieved in the rest of the Continent, the human has consistently taken on the form of waste within the peculiar trajectory race and capitalism espoused in South Africa. Traditionally, we speak of “waste” as something produced bodily or socially by humans. In this sense, “waste” is that which is other than the human. Traditionally too, we speak of the intrinsic capacity of capitalism to waste human lives. We speak of how workers are wasted under capitalism in comparable fashion to natural resources. Marx in particular characterizes capitalist production as thoroughly wasteful with what he calls “human material” just as it is with “material resources”. It squanders “human beings, living labour”, “squandering not only flesh and blood, but nerves and brain, life and health as well”, he writes. In order to grasp the particular drama of the human in the history of South Africa, we should broaden this traditional definition of “waste” and consider the human itself as a waste product at the interface of race and capitalism. Squandering and wasting black lives has been an intrinsic part of the logic of capitalism, especially in those contexts in which race is central to the simultaneous production of wealth and of superfluous people…

… One of the most brutal effects of neo-liberalism in South Africa has been the generalization and radicalization of a condition of temporariness for the poor. For many people, the struggle to be alive has taken the form of a struggle against the constant corrosion of the present, both by change and by uncertainty.

In order to reanimate the idea of “the human” in contemporary South African politics and culture, there is therefore no escape from the need to reflect on the thoroughly political and historical character of wealth and property and the extent to which wealth and property have come to be linked with bodily life.”

And HERE is another discussion, by Richard Pithouse, which further sets out the colonial history of the discourse around people in a state of exception (in the context of shack dwellers).

simone weil – the self

simone weil gravity and graceWe possess nothing in the world—a mere chance can strip us of everything—except the power to say ‘I’. That is what we have to give to God—in other words, to destroy. There is absolutely no other free act which it is given us to accomplish—only the destruction of the ‘I’.

Offering: We cannot offer anything but the ‘I’, and all we call an offering is merely a label attached to a compensatory assertion of the ‘I’.

Nothing in the world can rob us of the power to say ‘I’. Nothing except extreme affliction. Nothing is worse than extreme affliction which destroys the ‘I’ from outside, because after that we can no longer destroy it ourselves. What happens to those whose ‘I’ has been destroyed from outside by affliction? It is not pos- sible to imagine anything for them but annihilation according to the atheistic or materialistic conception.

Though they may have lost their ‘I’, it does not mean that they have no more egoism. Quite the reverse. To be sure, this may occasionally happen when a dog-like devotion is brought about, but at other times the being is reduced to naked, vegetative egoism. An egoism without an ‘I’.

So long as we ourselves have begun the process of destroying the ‘I’, we can prevent any affliction from causing harm. For the ‘I’ is not destroyed by external pressure without a violent revolt. If for the love of God we refuse to give ourselves over to this revolt, the destruction does not take place from outside but from within.

Redemptive suffering. If a human being who is in a state of perfection and has through grace completely destroyed the ‘I’ in himself, falls into that degree of affliction which corresponds for him to the destruction of the ‘I’ from outside—we have there the cross in its fullness. Affliction can no longer destroy the ‘I’ in him for the ‘I’ in him no longer exists, having completely disap- peared and left the place to God. But affliction produces an effect which is equivalent, on the plane of perfection, to the exterior destruction of the ‘I’. It produces the absence of God. ‘My God, why hast Thou forsaken me?’

What is this absence of God produced by extreme affliction within the perfect soul? What is the value which is attached to it and which is known as redemptive suffering?

Redemptive suffering is that by which evil really has fullness of being to the utmost extent of its capacity.

By redemptive suffering, God is present in extreme evil. For the absence of God is the mode of divine presence which corresponds to evil—absence which is felt. He who has not God within himself cannot feel his absence.

It is the purity, the perfection, the plenitude, the abyss of evil. Whereas hell is a false abyss (cf. Thibon). Hell is superficial. Hell is a nothingness which has the pretension and gives the illusion of being.

Purely external destruction of the ‘I’ is quasi-infernal suffering. External destruction with which the soul associates itself through love is expiatory suffering. The bringing about of the absence of God in a soul completely emptied of self through love is redemptive suffering.

In affliction the vital instinct survives all the attachments which have been torn away, and blindly fastens itself to everything which can provide it with support, like a plant fastens its tendrils. Gratitude (except in a base form) and justice are not conceivable in this state. Slavery. There is no longer the extra amount of energy required to support free-will by which man takes the measure of things. Affliction, from this point of view, is hideous as life in its nakedness always is, like an amputated stump, like the swarming of insects. Life without form. Survival is then the only attachment. That is where extreme affliction begins—when all other attachments are replaced by that of survival. Attachment appears then in its nakedness without any other object but itself—Hell.

It is by this mechanism that to those in affliction life appears as the one thing desirable, at the very time when their life is in no way preferable to death.

In this state, to accept death is total detachment.

Quasi-hell on earth. Complete uprooting in affliction

Human injustice as a general rule produces not martyrs but quasi-damned souls. Beings who have fallen into this quasi-hell are like someone stripped and wounded by robbers. They have lost the clothing of character.

The greatest suffering which allows any of a man’s roots to remain is at an infinite distance from this quasi-hell.

When we do a service to beings thus uprooted and we receive in exchange discourtesy, ingratitude, betrayal, we are merely enduring a small share of their affliction. It is our duty to expose ourselves to it in a limited measure just as it is our duty to expose ourselves to affliction. When it comes we should endure it as we endure affliction, without referring it back to particular people, for it cannot be referred back to anything. There is something impersonal in quasi-infernal affliction as there is in perfection.

For those whose ‘I’ is dead we can do nothing, absolutely nothing. We never know, however, whether in a particular person the ‘I’ is quite dead or only inanimate. If it is not quite dead, love can reanimate it as though by an injection, but it must be love which is utterly pure without the slightest trace of condescension, for the least shade of contempt drives towards death.

When the ‘I’ is wounded from outside it starts by revolting in the most extreme and bitter manner like an animal at bay. But as soon as the ‘I’ is half dead, it wants to be finished off and allows itself to sink into unconsciousness. If it is then awakened by a touch of love, there is sharp pain which results in anger and sometimes hatred for whoever has provoked this pain. Hence the apparently inexplicable vindictiveness of the fallen towards their benefactors.

It can also happen that the love of the benefactor is not pure. Then, in the ‘I’, awakened by love but immediately wounded afresh by contempt, there surges up the bitterest of hatreds, a hatred which is legitimate.

He, on the contrary, in whom the ‘I’ is quite dead is in no way embarrassed by the love which is shown him. He takes what comes just as dogs and cats receive food, warmth and caresses, and, like them, he is eager to obtain as much as possible. As the case may be, he either attaches himself like a dog or accepts what comes to him with a certain indifference like a cat. Without the slightest scruple he absorbs all the energy of whoever tries to help him.

Unfortunately in every charitable work there is a danger lest the majority of its clients should be composed of people with no scruples, and above all, of people in whom the ‘I’ has been killed.

The weaker the character of him who endures affliction, the more quickly is the ‘I’ destroyed. To be more exact, the limit of the affliction which destroys the ‘I’ is situated at a greater or lesser distance according to the quality of the character, and the further it is the more the character is said to be strong.

The position of this limit, whether near or far, is probably a fact of nature in the same way as a gift for mathematics, and he who, without having any faith, is proud of preserving his morale in difficult circumstances, has no more reason to be so than the youth who is conceited because mathematics come easily to him. He who believes in God is in danger of a still greater illusion—that of attributing to grace what is simply an essentially mechanical effect of nature.

The agony of extreme affliction is the destruction of the ‘I’ from outside: Arnolphe, Phèdre, Lycaon. We are right to fall on our knees, to make abject supplication when that violent death which is going to strike us down threatens to kill the ‘I’ from outside even before life is destroyed.

‘Niobe also, of the beautiful hair, thought of eating.’ That is sublime, in the same way as space in Giotto’s frescoes.

A humiliation which forces us to renounce even despair.

The sin in me says ‘I’.

I am all. But this particular ‘I’ is God. And it is not an ‘I’.

Evil makes distinctions, it prevents God from being equivalent to all.

It is because of my wretchedness that I am ‘I’. It is on account of the wretchedness of the universe that, in a sense, God is ‘I’ (that is to say a person).

The Pharisees were people who relied on their own strength to be virtuous.

Humility consists in knowing that in what we call ‘I’ there is no source of energy by which we can rise.

Everything without exception which is of value in me comes from somewhere other than myself, not as a gift but as a loan which must be ceaselessly renewed. Everything without exception which is in me is absolutely valueless; and, among the gifts which have come to me from elsewhere, everything which I appropriate becomes valueless immediately I do so.

Perfect joy excludes even the very feeling of joy, for in the soul filled by the object no corner is left for saying ‘I’.

We cannot imagine such joys when they are absent, thus the incentive for seeking them is lacking.

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Excerpted from Simone Weil‘s Gravity and Grace. First French edition 1947. Translated by Emma Crawford. English language edition 1963. Routledge and Kegan Paul, London.

simone weil – to desire without an object

simone weil gravity and gracePurification is the separation of good from covetousness.

We have to go down to the root of our desires in order to tear the energy from its object. That is where the desires are true in so far as they are energy. It is the object which is unreal. But there is an unspeakable wrench in the soul at the separation of a desire from its object.

If we go down into ourselves we find that we possess exactly what we desire.

If we long for a certain being (who is dead), we desire a particular, limited being; therefore, necessarily, a mortal, and we long for that special being ‘who’… ‘to whom’…, etc., in short that being who died at such and such a time on such and such a day. And we have that being—dead.

If we desire money, we want a medium of exchange (institution), something which can only be acquired on certain conditions, so we desire it only ‘in the measure that’… Well, in that measure we have it.

In such cases suffering, emptiness are the mode of existence of the objects of our desire. We only have to draw aside the veil of unreality and we shall see that they are given to us in this way.

When we see that, we still suffer, but we are happy.

To ascertain exactly what the miser whose treasure was stolen lost: thus we should learn much.

Lauzun and the office of Captain of Musketeers. He preferred to be a prisoner and Captain of Musketeers rather than to go free and not be Captain.

These are garments. ‘They were ashamed of their nakedness.’

To lose someone: we suffer because the departed, the absent, has become something imaginary and unreal. But our desire for him is not imaginary. We have to go down into ourselves to the abode of the desire which is not imaginary. Hunger: we imagine kinds of food, but the hunger itself is real: we have to fasten on to the hunger. The presence of the dead person is imaginary, but his absence is very real: henceforward it is his way of appearing.

We must not seek the void, for it would be tempting God if we counted on supernatural bread to fill it.

We must not run away from it either.

The void is the supreme fullness, but man is not permitted to know it. The proof is that Christ himself was at one moment completely unaware of it. One part of the self should know it, but not the other parts, for if they knew it in their base fashion, there would no longer be any void.

Christ experienced all human misery, except sin. But he experienced everything which makes man capable of sin. It is the void which makes man capable of sin. All sins are attempts to fill voids. Thus my life with all its stains is near to his perfectly pure one, and the same is true of much lower lives. However low I fall I shall not go very far from him. But if I fall I shall no longer be able to know this.

The handshake of a friend on meeting again after a long absence. I do not even notice whether it gives pleasure or pain to my sense of touch: like the blind man who feels the objects directly at the end of his stick, I feel the presence of my friend directly. It is the same with life’s circumstances, whatever they may be, and God.

This implies that we should never seek consolation for pain. Because felicity is beyond the realm of consolation and pain. We become aware of it through a sense which is different, just as the perception of objects at the end of a stick or an instrument is different from touch in the strict sense of the word. This other sense is formed by a shifting of the attention through an apprenticeship in which the whole soul and body participate.

That is why we read in the Gospel: ‘I say to you that these have received their reward.’ There must be no compensation. It is the void in our sensibility which carries us beyond sensibility.

Denial of Saint Peter. To say to Christ: ‘I will never deny Thee’ was to deny him already, for it was supposing the source of faithfulness to be in himself and not in grace. Happily, as he was chosen, this denial was made manifest to all and to himself. How many others boast in the same way—and they never understand. It was difficult to be faithful to Christ. A fidelity in the void was needed. It was much easier to be faithful to Napoleon, even if it involved death. It was easier for the martyrs to be Faithful, later on, because the Church was already there, a force with temporal promises. We die for what is strong, not for what is weak, or only for what is weak momentarily and has still kept an aureole of strength. Faithfulness to Napoleon at Saint-Helena was not faithfulness in the void. The fact of dying for what is strong robs death of its bitterness—and at the same time of all its value.

To implore a man is a desperate attempt through sheer intensity to make our system of values pass into him. To implore God is just the contrary: it is an attempt to make the divine values pass into ourselves. Far from thinking with all the intensity of which we are capable of the values to which we are attached, we must preserve an interior void.

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Excerpted from Simone Weil‘s Gravity and Grace. First French edition 1947. Translated by Emma Crawford. English language edition 1963. Routledge and Kegan Paul, London.

the incredible string band – a very cellular song (1968)

“Nebulous nearnesses cry to me
At this timeless moment
Someone dear to me wants me near, makes me high
I can hear vibrations fly
Through mangoes, pomegranates and planes
All the same
When it reaches me and teaches me
To sigh…

… Oh ah ee oo there’s absolutely no strife
Living the timeless life
I don’t need a wife
Living the timeless life
If I need a friend I just give a wriggle
Split right down the middle
And when I look there’s two of me
Both as handsome as can be
Oh here we go slithering, here we go slithering and squelching on
Oh here we go slithering, here we go slithering and squelching on
Oh ah ee oo there’s absolutely no strife
Living the timeless life

Black hair brown hair feather and scale
Seed and stamen and all unnamed lives that live
Turn your quivering nerves in my direction
Turn your quivering nerves in my direction
Feel the energy projection of my cells
Wishes you well.

May the long time sun shine upon you
All love surround you
And the pure light within you
Guide you all the way on.”

Album: The Hangman’s Beautiful Daughter (1968)

john fahey – the transfiguration of blind joe death

Full album (1965).

In a review for the 1967 Takoma reissue, ED Denson called the liner notes (by Alan Wilson of Canned Heat) “…a paranoid vision of reality unrivalled since Kafka. Nothing is what it purports to be directly, but everything is “in a certain sense” — people make statements like characters in B-grade horror films, the trivial becomes significant, the meaningful, nothing.”

The notes begin thus:

faheyA disgusting, degenerate, insipid young folklorist from the Croat & Isaiah Nettles Foundation for Ethnological Research meandered mesmerically midst marble mansions in Mattapan, Massachusetts. It was an unsavory, vapid day in the summer of 2010 as the jejune air from Back Bay transubstantiated itself autologically and gradually into an ozone-like atmosphere.

Knocking on a random door, haphazardly, the tasteless young man pondered the Hebraic inscription on the marble-tiled foot-brush, soporifically: “I wonder what the hell that means,” he said to himself reflexively.

The foot-brush backed itself into a corner at bay, with its back to the wall. Then, hissing at the wishy-washy young man, it reared up on its hind leg & stared into space, vociferously & stoicly.

At this juncture a somewhat equivocal shoe-shine man opened the door, munching on a vacant popsicle stick. Before greeting the young man he reached up with a tentacle and stroked the aging foot brush on its fore, thus quieting the beast’s existential anxiety.

“Pardon me,” the unflavored young man said casually, “Do you have any old arms and legs you’d like to sell? I’m paying thirty-seven, twenty-five, ninety-six, twelve cents apiece for old arms & legs depending on the condition they’re in.”

“Just one moment,” the splotched ontology professor mumbled, “I think we may have a few out back in the quagmire, or possibly near the fen, or then again we may have some by the waters of the boggy bayou. I must point out, however, that it is quite possible that we have none left. And I should also say that we may never have had any anyway. I certainly can’t remember ever having any.

Since the past went into a flux it’s very difficult to remember anything, you know. But I’ll certainly take a look. And don’t be afraid of my foot-brush. He’s been in the family for years. And, while it is quite true to say that he hisses a lot, and he certainly does, it is also quite true to say that he never bites anyone except when he does. But this is not the same as to say that he has actually bitten people, and I certainly wouldn’t go so far as to say that, because, well, for one thing I can’t remember anyway. But I’ll go look for those arms & legs like I said I would. Did I say I would?”

“Yes, you did,” the stale young man replied weakly.

“Well, then I will, in all probability,” the aging grave-digger muttered as he faded gradually through the irregular portal.

Read the rest HERE and more notes about the album HERE.

simone weil – renunciation of time

simone weil gravity and graceTime is an image of eternity, but it is also a substitute for eternity.

The miser whose treasure has been taken from him. It is some of the frozen past which he has lost. Past and future, man’s only riches.

The future is a filler of void places. Sometimes the past also plays this part (‘I used to be,’ ‘I once did this or that…’). But there are other cases when affliction makes the thought of happiness intolerable; then it robs the sufferer of his past (nessun maggior dolore…).

The past and the future hinder the wholesome effect of affliction by providing an unlimited field for imaginary elevation. That is why the renunciation of past and future is the first of all renunciations.

The present does not attain finality. Nor does the future, for it is only what will be present. We do not know this, however. If we apply to the present the point of that desire within us which corresponds to finality, it pierces right through to the eternal.

That is the use of despair which turns the attention away from the future.

When we are disappointed by a pleasure which we have been expecting and which comes, the disappointment is because we were expecting the future, and as soon as it is there it is present. We want the future to be there without ceasing to be future. This is an absurdity of which eternity alone is the cure.

Time and the cave. To come out of the cave, to be detached, means to cease to make the future our objective.

A method of purification: to pray to God, not only in secret as far as men are concerned, but with the thought that God does not exist.*

Piety with regard to the dead: to do everything for what does not exist.

The suffering caused by the death of others is due to this pain of a void and of lost equilibrium. Efforts henceforward follow without an object and therefore without a reward. If the imagination makes good this void—debasement. ‘Let the dead  bury their dead.’ And as to our own death, is it not the same? The object and the reward are in the future. Deprivation of the future—void, loss of equilibrium. That is why ‘to philosophise is to learn to die’. That is why ‘to pray is like a death’.

When pain and weariness reach the point of causing a sense of perpetuity to be born in the soul, through contemplating this perpetuity with acceptance and love, we are snatched away into eternity.

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*God does not in fact exist in the same way as created things which form the only object of experience for our natural faculties. Therefore, contact with supernatural reality is at first felt as an experience of nothingness. [Editor’s note.]

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Excerpted from Simone Weil‘s Gravity and Grace. First French edition 1947. Translated by Emma Crawford. English language edition 1963. Routledge and Kegan Paul, London.

simone weil – imagination which fills the void

simone weil gravity and graceThe imagination is continually at work filling up all the fissures through which grace might pass.

Every void (not accepted) produces hatred, sourness, bitterness, spite. The evil we wish for that which we hate, and which we imagine, restores the balance.

The militiamen of the Spanish Testament who invented victories in order to endure death: an example of imagination filling up the void. Although we should gain nothing by the victory, we can bear to die for a cause which is going to triumph, not for one which will be defeated. For something absolutely denuded of power, it would be superhuman (the disciples of Christ). The thought of death calls for a counterweight, and this counterweight—apart from grace—cannot be anything but a lie.

The imagination, filler up of the void, is essentially a liar. It does away with the third dimension, for only real objects have three dimensions. It does away with multiple relationships.

To try to define the things which, while they do indeed happen, yet remain in a sense imaginary. War. Crimes. Acts of revenge. Extreme affliction.

The crimes in Spain were actually perpetrated and yet they resembled mere acts of boastfulness.

Realities which have no more dimensions than a dream.

In the case of evil, as in that of dreams, there are not multiple readings.*  Hence the simplicity of criminals.

Crimes flat like dreams on both sides: on the side of the executioner and on the side of the victim. What is more frightful than to die in a nightmare?

Compensations. Marius imagined future retribution. Napoleon thought of posterity. William II wanted a cup of tea. His imagination was not strongly enough attached to power to be able to span the years: it turned towards a cup of tea.

The adoration of the great by the people in the seventeenth century (La Bruyère). This was a result of imagination filling up the void, a result which has disappeared since money has been substituted for it. Two base results, but money the baser of the two.

In no matter what circumstances, if the imagination is stopped from pouring itself out we have a void (the poor in spirit).

In no matter what circumstances (but sometimes at the price of how great a degradation!) imagination can fill the void. This is why average human beings can become prisoners, slaves, prostitutes and pass through no matter what suffering without being purified.

We must continually suspend the work of the imagination filling the void within ourselves.

If we accept no matter what void, what stroke of fate can prevent us from loving the universe?

We have the assurance that, come what may, the universe is full.

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* For the meaning of this word (lectures) in the vocabulary of Simone Weil, see later chapter on Readings.
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Excerpted from Simone Weil‘s Gravity and Grace. First French edition 1947. Translated by Emma Crawford. English language edition 1963. Routledge and Kegan Paul, London.

simone weil – detachment

simone weil gravity and graceAffliction in itself is not enough for the attainment of total detachment. Unconsoled affliction is necessary. There must be no consolation—no apparent consolation. Ineffable consolation then comes down.

To forgive debts. To accept the past without asking for future compensation. To stop time at the present instant. This is also the acceptance of death.

‘He emptied himself of his divinity.’ To empty ourselves of the world. To take the form of a slave. To reduce ourselves to the point we occupy in space and time—that is to say, to nothing.

To  strip ourselves of the imaginary royalty of the world.

Absolute solitude. Then we possess the truth of the world.

Two ways of renouncing material possessions:
To give them up with a view to some spiritual advantage.
To conceive of them and feel them as conducive to spiritual well-being (for example: hunger, fatigue and humiliation cloud the mind and hinder meditation) and yet to renounce them.
Only the second kind of renunciation means nakedness of spirit.

Furthermore, material goods would scarcely be dangerous if they were seen in isolation and not bound up with spiritual advantage.

We must give up everything which is not grace and not even desire grace.

The extinction of desire (Buddhism)—or detachment—or amor fati—or desire for the absolute good—these all amount to the same: to empty desire, finality of all content, to desire in the void, to desire without any wishes.

To detach our desire from all good things and to wait. Experience proves that this waiting is satisfied. It is then we touch the absolute good.

Always, beyond the particular object whatever it may be, we have to fix our will on the void—to will the void. For the good which we can neither picture nor define is a void for us. But this void is fuller than all fullnesses.

If we get as far as this we shall come through all right, for God fills the void. It has nothing to do with an intellectual process in the present-day sense. The intelligence has nothing to discover, it has only to clear the ground. It is only good for servile tasks.

The good seems to us as a nothingness, since there is no thing that is good. But this nothingness is not unreal. Compared with it, everything in existence is unreal.

We  must  leave  on  one  side  the  beliefs  which  fill  up  voids  and sweeten  what  is  bitter. The belief  in  immortality. The  belief  in the utility of sin: etiampeccata. The belief in the providential ordering  of  events—in  short  the  ‘consolations’  which  are  ordinarily sought in religion.

To love God through and across the destruction of Troy and of Carthage—and with no consolation. Love is not consolation, it is light.

The reality of the world is the result of our attachment. It is the reality of the self which we transfer into things. It has nothing to do with independent reality. That is only perceptible through total detachment. Should only one thread remain, there is still attachment.

Affliction which forces us to attach ourselves to the most wretched objects exposes in all its misery the true character of attachment. In this way the necessity for detachment is made more obvious.

Attachment is a manufacturer of illusions and whoever wants reality ought to be detached.

As soon as we know that something is real we can no longer be attached to it.

Attachment is no more nor less than an insufficiency in our sense of reality. We are attached to the possession of a thing because we think that if we cease to possess it, it will cease to exist. A great many people do not feel with their whole soul that there is all the difference in the world between the destruction of a town and their own irremediable exile from that town.

Human misery would be intolerable if it were not diluted in time. We have to prevent it from being diluted in order that it should be intolerable.

‘And when they had had their fill of tears’ (Iliad).—This is another way of making the worst suffering bearable.

We must not weep so that we may not be comforted.*

All suffering which does not detach us is wasted suffering. Nothing is more frightful, a desolate coldness, a warped soul (Ovid. Slaves in Plautus).

Never to think of a thing or being we love but have not actually before our eyes without reflecting that perhaps this thing has been destroyed, or this person is dead.

May our sense of reality not be dissolved by this thought but made more intense.

Each time that we say ‘Thy will be done’ we should have in mind all possible misfortunes added together.

Two ways of killing ourselves: suicide or detachment.

To kill by our thought everything we love: the only way to die. Only what we love, however (‘He who hateth not his father and mother . . .’ but: ‘Love your enemies . . .’).

Not to desire that what we love should be immortal. We should neither desire the immortality nor the death of any human being, whoever he may be, with whom we have to do.

The miser deprives himself of his treasure because of his desire for it. If we can let our whole good rest with something hidden in the ground, why not with God?

But when God has become as full of significance as the treasure is for the miser, we have to tell ourselves insistently that he does not exist. We must experience the fact that we love him, even if he does not exist.

It is he who, through the operation of the dark night, withdraws himself in order not to be loved like the treasure is by the miser.

Electra weeping for the dead Orestes. If we love God while thinking that he does not exist, he will manifest his existence.

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* Yet Jesus Christ said: ‘Blessed are they that mourn’. But here Simone Weil is only condemning the tears wrung from us by the loss of temporal goods— tears which man sheds over himself.  [Editor’s note.]
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Excerpted from Simone Weil‘s Gravity and Grace. First French edition 1947. Translated by Emma Crawford. English language edition 1963. Routledge and Kegan Paul, London.

the tired sounds of stars of the lid

The Tired Sounds of Stars of the Lid is the sixth studio LP by ambient drone music group Stars of the Lid. It was released in late 2001 on the Kranky label, on two CDs and three LPs. The album features long minimal, droning compositions created from heavily treated guitar, horn, flute, piano, and other classical instruments. An interesting feature of the second track, “Requiem For Dying Mothers, part 2” is that it features a sample from the final scene of Andrei Tarkovsky‘s film Stalker, where the character Monkey pushes a glass across a table by way of telekinesis as a dog whines and a train whistle blows in the distance (watch the film free HERE).

fyodor tyutchev – silentium

Fedor_Tutchev

Fyodor Tyutchev, 1856.

Silentium! is an archetypal poem by Tyutchev. Written in 1830, it is remarkable for its rhythm crafted so as to make reading in silence easier than aloud. Like so many of his poems, its images are anthropomorphic and pulsing with pantheism. As one Russian critic put it, “the temporal epochs of human life, its past and its present fluctuate and vacillate in equal measure: the unstoppable current of time erodes the outline of the present.” *

Speak not, lie hidden, and conceal
the way you dream, the things you feel.
Deep in your spirit let them rise
akin to stars in crystal skies
that set before the night is blurred:
delight in them and speak no word.
How can a heart expression find?
How should another know your mind?
Will he discern what quickens you?
A thought, once uttered, is untrue.
Dimmed is the fountainhead when stirred:
drink at the source and speak no word.
Live in your inner self alone
within your soul a world has grown,
the magic of veiled thoughts that might
be blinded by the outer light,
drowned in the noise of day, unheard…
take in their song and speak no word.

(translated by Vladimir Nabokov)