From Heligoland, released in 2010, with vocals by Hope Sandoval.
Also check out the epic 2011 remix by Burial:
And this one from Gui Boratto:
From Heligoland, released in 2010, with vocals by Hope Sandoval.
Also check out the epic 2011 remix by Burial:
And this one from Gui Boratto:
From their album Mezzanine. . Incorporates a sample from Manfred Mann’s Earth Band’s track, “Tribute“, for which Massive Attack were sued.
Brand new video published on Friday.
Hans Richter’s 1927 short Dadaist masterpiece: Ghosts Before Breakfast, re-scored.
“This film initially had a soundtrack which was lost when the original print was destroyed by the Nazis as ‘degenerate art’.
This music – with Jacques Van Rhijn on clarinet, Don Brosnan on bass, Jed Woodhouse on drums, Clive Painter on guitar – was recorded at Clive’s prior to the sessions for our re-score of Richter’s full length magnum opus: Dreams That Money Can Buy for the British Film Institute in 2005.
(Turn off the sound if you want to hear it as Richter didn’t really intend it.)”
This coming Tuesday, find out more about the extraordinary archive of photographs and live recordings made by Ian Bruce Huntley in the 1960s and early 1970s. In 2013 I was involved in putting this archive of recordings online, which you can explore HERE.
Keeping Time: Ian Bruce Huntley’s South African jazz archive
by Jonathan Eato
Ian Bruce Huntley is not a name that you’ll find readily in the burgeoning annals of South African jazz. Unless, that is, you talk to the dwindling generation of jazz musicians who were working in South Africa in the mid-1960s. Tete Mbambisa remembers Huntley as the man who ‘recorded our gold’, and this Huntley did through a series of remarkable photographic images and live audio recordings. Having privately preserved these records for over forty years, throughout the state repression of grand-apartheid and into the democratic era, they have recently been made available for the first time.
This talk will consider how, in the face of increasing political oppression, Huntley’s archive documented a community of vernacular intellectuals exploring and developing ideas in counterpoint to much commercially available South African jazz post-‘Pondo Blues’.
For more info:
email: ems@uct.ac.za
tel: 021 650 2888
Facebook event HERE.