dummies

ScienceDaily (Sep. 18, 2012)

Pacifiers May Have Emotional Consequences for Boys

Pacifiers may stunt the emotional development of baby boys by robbing them of the opportunity to try on facial expressions during infancy.

Three experiments by a team of researchers led by psychologists from the University of Wisconsin-Madison tie heavy pacifier use as a young child to poor results on various measures of emotional maturity.

The study, published September 18 by the journal Basic and Applied Social Psychology, is the first to associate pacifiers with psychological consequences. The World Health Organization and American Academy of Pediatrics already call for limiting pacifier use to promote breast-feeding and because of connections to ear infections or dental abnormalities.

Humans of all ages often mimic — unwittingly or otherwise — the expressions and body language of the people around them.

“By reflecting what another person is doing, you create some part of the feeling yourself,” says Paula Niedenthal, UW-Madison psychology professor and lead author of the study. “That’s one of the ways we understand what someone is feeling — especially if they seem angry, but they’re saying they’re not; or they’re smiling, but the context isn’t right for happiness.”

Mimicry can be an important learning tool for babies.

“We can talk to infants, but at least initially they aren’t going to understand what the words mean,” Niedenthal says. “So the way we communicate with infants at first is by using the tone of our voice and our facial expressions.”

With a pacifier in their mouth, a baby is less able to mirror those expressions and the emotions they represent.

The effect is similar to that seen in studies of patients receiving injections of Botox to paralyze facial muscles and reduce wrinkles. Botox users experience a narrower range of emotions and often have trouble identifying the emotions behind expressions on other faces.

“That work got us thinking about critical periods of emotional development, like infancy,” says Niedenthal, whose work is supported by the French Agence Nationale de la Recherche. “What if you always had something in your mouth that prevented you from mimicking and resonating with the facial expression of somebody?”

The researchers found six- and seven-year-old boys who spent more time with pacifiers in their mouths as young children were less likely to mimic the emotional expressions of faces peering out from a video.

College-aged men who reported (by their own recollections or their parents’) more pacifier use as kids scored lower than their peers on common tests of perspective-taking, a component of empathy.

A group of college students took a standard test of emotional intelligence measuring the way they make decisions based on assessing the moods of other people. Among the men in the group, heavier pacifier use went hand-in-hand with lower scores.

“What’s impressive about this is the incredible consistency across those three studies in the pattern of data,” Niedenthal says. “There’s no effect of pacifier use on these outcomes for girls, and there’s a detriment for boys with length of pacifier use even outside of any anxiety or attachment issues that may affect emotional development.”

Girls develop earlier in many ways, according to Niedenthal, and it is possible that they make sufficient progress in emotional development before or despite pacifier use. It may be that boys are simply more vulnerable than girls, and disrupting their use of facial mimicry is just more detrimental for them.

“It could be that parents are inadvertently compensating for girls using the pacifier, because they want their girls to be emotionally sophisticated. Because that’s a girly thing,” Niedenthal says. “Since girls are not expected to be unemotional, they’re stimulated in other ways. But because boys are desired to be unemotional, when you plug them up with a pacifier, you don’t do anything to compensate and help them learn about emotions.”

Suggesting such a simple and common act has lasting and serious consequences is far from popular.

“Parents hate to have this discussion,” Niedenthal says. “They take the results very personally. Now, these are suggestive results, and they should be taken seriously. But more work needs to be done.”

Sussing out just why girls seem to be immune (or how they may compensate) is an important next step, as is an investigation of what Niedenthal calls “dose response.”

“Probably not all pacifier use is bad at all times, so how much is bad and when?” she asks. “We already know from this work that nighttime pacifier use doesn’t make a difference, presumably because that isn’t a time when babies are observing and mimicking our facial expressions anyway. It’s not learning time.”

But even with more research planned to further explain the new results, Niedenthal is comfortable telling parents to consider occasionally pocketing the pacifier.

“I’d just be aware of inhibiting any of the body’s emotional representational systems,” Niedenthal says. “Since a baby is not yet verbal — and so much is regulated by facial expression — at least you want parents to be aware of that using something like a pacifier limits their baby’s ability to understand and explore emotions. And boys appear to suffer from that limitation.”

University of Wisconsin-Madison. “Pacifiers may have emotional consequences for boys.ScienceDaily, 18 Sep. 2012. Web. 20 Sep. 2012.

jun togawa – suki suki daisuki (1985)

Without subtitles:

Translated lyrics (probably a bad translation):

My love is increasing and transcends common sense
The love in rose broke out like a mutation
Pure as to be able to call it violence
‘Je t’aime’ with great force that carved into Showa history

Kiss me like thumping, as blood clots on my lips
Hold me, as my ribs are breaking
I love you so much
I love you so much
I love you so much
Say you love me or I’ll kill you!

‘Eros’ breaks the daily life and is crystallizing
Repeating the affairs instinctively in the Avici hell
The intuitive cognition with anti-nihilism is a trigger for latent infant violence

Kiss me like thumping, as blood clots on my lips
Hold me, as my ribs are breaking
I love you so much
I love you so much
I love you so much
Say you love me or I’ll kill you!

With subtitles (they’re kinda distracting):

le journal de personne – not even in your dreams!

I am a woman – quite real – to myself
and all that is most virtual to others
accessible to myself
inaccessible to all the others
what is it that separates me from the others?
the veil of Maya, say some
the unbearable lightness of being, say others
illusions and allusions
there you have it, what protects us, the one and the others
what separates us, the ones from the others
to a friend who insisted on seeing me, I said, “not even in your dreams”
she took it badly and eclipsed herself from my mind
i was mistaken, badly mistaken, I should have told her
in dreams, why not, but not in real life
some hidden meaning… some secret meaning… some sacred meaning…
there you have it, what comprises Mystery
my life and I, we will always be out of reach
intimate intimity
Chimène* or Chimera
since ancient times the emphasis was always on the duplicity of all living things
am I a person or a personality?
real or virtual?
existence or excellence?
that I am Nobody makes my character more enigmatic but at the same time more consistent
it is paradoxical, but all who are tempted by infinity will know what I am saying
will push themselves to question Orpheus anew. He descended into hell to save Eurydice. Imagine the pain he put himself through. No, you can’t imagine, because it is unimaginable. And at the moment of returning to the surface, when he was in front and she behind him, the gods forbade him to turn around until they were both together at the other side of the barrier, on the human side, but Orpheus couldn’t restrain himself; he turned around, and lost Eurydice forever

* literary character signifying obsessive passion

(Thanks to Martin Jacklin for help with this translation. Original text HERE.)

le journal de personne – inside woman

(machine translation, with a little editing)

My name is Nobody
Listen carefully to what I say
because I pick my words on the fly
And I never repeat myself
I told you what I call myself; this settles the question of WHO
The WHERE meanwhile could easily be described as the wall of a cell of a post entitled: “Inside woman”
But there is a clear difference between ending up trapped in a narrow cell and ending up trapped in one’s own desire to settle all accounts.
WHAT is easy too: Lately I have designed and begun to implement a mechanism to take over the Internet. The most perfect break in on the planet!
but WHEN? today or maybe tomorrow.
Regarding WHY… besides the obvious motivation of exacting justice, the reason is very simple: Because I decided to.
… Which leaves us with the HOW to resolve:
To be true to myself, I would say: No comment!

Read the text in French.

chadwick tyler – “something she didn’t know was there”

I just love the ´dirty´work of Chadwick Tyler. These photos were part of his exhibition ´Tiberius´, 2009.

“Every project I do revolves around the model, “the girl.” For me, to work with a model is to find a connection, to develop a mode of communication & to create a relationship, in order to draw what is within her out to the surface. My job is to enable a model to feel comfortable being vulnerable in a way that shows up on camera. Documenting the range of a girl’s personality that emerges is everything to me; especially when it’s something she didn’t know was there.” – Chadwick Tyler

michelle mcgrane – things that a bond girl should never leave home without

A double entendre,
a steady gun-arm, a failproof
recipe for Béarnaise sauce,
a kick-ass lipstick,
‘Five of a Kind’.

Contortionist training,
a reservation at Maxim’s,
a magnum of Taittinger Blanc
de Brut 1943 and twenty
Morland Specials.

A stolen copy
of Hogan’s Power Golf,
a smouldering silhouette,
a commando dagger,
a cyanide tablet.

Sagittarius rising,
a Côte d’Azur suntan,
opera glasses, life insurance,
fifty rounds of ammo,
a contact in Japan.

A bluff and a bikini,
a Triumph convertible,
a parachute, a silk peignoir,
a concealed blueprint,
an escape route.

Previously published in Magma 50.