Erin Case is an award winning visual artist based in Midland, Michigan, with a focus in collage. Working in both analog and digital methods, she is regarded for the marriage of surrealism, sincerity, and evocativeness that is present throughout her body of work. Check out more of her work HERE.
Category Archives: photography
hello, virgo moon
View more of Stella’s work on Instagram, HERE.
the shining girls, cape town, 19 april 2013

Jack Daniels promo girls at the Cape Town book launch for “The Shining Girls”, while author Lauren Beukes was reading. Photo: Rosemary Lombard
float
voortrekker road, goodwood, 9 april 2013
celebrating the freak #genderfreesa #queer
first published on http://www.germainedelarch.tumblr.com
anti-gravity
one photo a day in the worst year of my life
(Trigger warning for domestic violence)
Serbian campaign against domestic abuse.
a prayer
Refuse to fall down
If you cannot refuse to fall down,
refuse to stay down.
If you cannot refuse to stay down,
lift your heart toward heaven,
and like a hungry beggar,
ask that it be filled.
You may be pushed down.
You may be kept from rising.
But no one can keep you from lifting your heart
toward heaven
only you.
It is in the middle of misery
that so much becomes clear.
The one who says nothing good
came of this,
is not yet listening.
― Clarissa Pinkola Estés, The Faithful Gardener: A Wise Tale About That Which Can Never Die**
**Debbie Pryor, thank you for this.
obsession and fantasy
audrey hepburn, reading
goal: a world without gender. mission: possible.
goal: a world without gender. mission: possible.
In a world where gender norms are too often rigidly controlled by tradition, religiosity and politicking – iconoclasts are disrupting the norm. Abroad these take the form of parents who’re choosing to bring children up gender-free, while locally an emerging artist and political author questions the legitimacy of limiting local gender constructions. By MANDY DE WAAL.
the new social
pony trails

erica jong – becoming a nun
On cold days
it is easy to be reasonable,
to button the mouth against kisses,
dust the breasts
with talcum powder
& forget
the red pulp meat
of the heart.
On those days
it beats
like a digital clock–
not a beat at all
but a steady whirring
chilly as green neon,
luminous as numerals in the dark,
cool as electricity.
& I think:
I can live without it all–
love with its blood pump,
sex with its messy hungers,
men with their peacock strutting,
their silly sexual baggage,
their wet tongues in my ear
& their words like little sugar suckers
with sour centers.
On such days
I am zipped in my body suit,
I am wearing seven league red suede boots,
I am marching over the cobblestones
as if they were the heads of men,
& I am happy
as a seven-year-old virgin
holding Daddy’s hand.
Don’t touch.
Don’t try to tempt me with your ripe persimmons.
Don’t threaten me with your volcano.
The sky is clearer when I’m not in heat,
& the poems
are colder.
Poem © Erica Mann Jong
“La Sucette” by Rosemary Lombard is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
dave coba – “broken” (2008)
Broken is a project by photographer Dave Coba which features black and white studies of nude models. Coba says the images “were created by photographing the models in front of broken, partly “blind” mirrors. Thematically they’re about dreamlike rapture — self awareness in a reality that’s altered, twisted, broken and reflected in an enigmatic way. It means a lot to me that the models wanted to see themselves as they were portrayed: They played their decisive part by ‘putting themselves into the mirror’ and letting the photographer document them.”
See more of these intriguing photographs HERE.
anne carson – the glass essay
caught in time

A moment from millennia ago is frozen in amber…
bill henson – untitled #20 (2003-3)
Bill Henson (born 1955) is an Australian contemporary art photographer.
Henson’s photographs reflect an interest in ambiguity and transition. The use of chiaroscuro is common throughout his works. His photographs are painterly and often presented as diptychs, triptychs and other groupings.
Henson’s works often meditate on the categories of and relationships between male and female; youth and adulthood; day and night; light and dark; nature and civilisation. His images often use flattened perspective and tend towards abstraction. The faces of the subjects are often blurred or partly shadowed and do not directly face the viewer.
According to Crawford, Henson presents “adolescents in their states of despair, intoxication and immature ribaldry”. He has said that these “moments of transition and metamorphosis are important in everyone’s lives”.
Information taken from HERE.
Check out more of Henson’s work HERE.
we are more than our hair_i

© Germaine de Larch Images. First published on http://www.life-writ-large.posterous.com
wednesday wonder

This was shot by Franci Carney in Luderitz, Namibia. Check her fb page for more great shots ..
cello recital

shades of gay_v.0.3.

© Germaine de Larch Images. First published on http://www.life-writ-large.posterous.com
flush
be my valentine
More of Joshua Hoffine’s horror photography can be found HERE.
The Garden of Proserpine by Algernon Charles Swinburne, written in 1866
Here, where the world is quiet,
Here, where all trouble seems
Dead winds’ and spent waves’ riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes,
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love’s who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man’s lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
glenda kemp and “oupa”



Glenda Kemp’s blog is HERE. Also check out this fascinating interview that Genevieve Louw did with her in 2008.
gooi the mix, bra

domesticity II

© Germaine de Larch Images. First published on http://www.life-writ-large.posterous.com
prayer
there you stood on the edge of your shadow




























