“Before the greatest achievement.
Before the greatest detachment.
At the limit of the frontier space of the unconscious – tuned waves – “consonant things vibrate together”.
Where does the change happen? In the inner field of perception or the exterior reality of moving things in the course of becoming.
And time is no longer an obstacle, but the means by which the possible is achieved.”
Listen to this with speakers that have proper bass (not in crappy earphones) for a full body experience.
In 2006 the Paris recording label shiiin released a CD recording of L’île re-sonante, a 55-minute composition by French electronic music pioneer Eliane Radigue, a student of electroacoustic composers Pierre Henry and Pierre Schaeffer in the 1950s.
L’île resonante features the instrument Radigue has worked with since the early 1970’s, the ARP 2500 modular synthesizer and her medium of choice, analog multitrack tape. The piece is characteristic of her work in that it is a tapestry of long, gradually evolving drones created with oscillators on the ARP synthesizer and with tape loops.
According to Daniel Caux’s liner notes, “For L’ile re-sonante, Eliane Radigue drew her inspiration from an image: an island in the waters of a lake that reflect her face. It is both a ‘real’ image and an optical illusion”.
Read Chuck Johnson’s essay on this piece, entitled “Empty Music”.