From Le Voyage: An electronic score based on The Tibetan Book of the Dead.
“A panorama of experimental music” series volume 2 (Mercury Records, 1968).
Tracklisting in English on sleeve translated into French on labels:
A1 Breath 1/Souffle 1
A2 After Death/Après la mort 1 (fluide et mobilité d’un Larsen)
A3 After Death 2/Après la mort 2 (mouvement en 6 parties)
B1 Peaceful Deities/Divinités paisibles
B2 Wrathful Deities/Divinités irritées
B3 The Coupling/Le couple
B4 Breath 2/Souffle 2
Premiered on April 25, 1962 in Cologne.
An alternate version – the stereophonic recording released here – was performed at the church of Saint-Julien-le-Pauvre in Paris in June 25, 1963.
Date of release taken from Billboard magazine issue 80, number 11 from March 16, 1968.
Listen to this with speakers that have proper bass (not in crappy earphones) for a full body experience.
In 2006 the Paris recording label shiiin released a CD recording of L’île re-sonante, a 55-minute composition by French electronic music pioneer Eliane Radigue, a student of electroacoustic composers Pierre Henry and Pierre Schaeffer in the 1950s.
L’île resonante features the instrument Radigue has worked with since the early 1970’s, the ARP 2500 modular synthesizer and her medium of choice, analog multitrack tape. The piece is characteristic of her work in that it is a tapestry of long, gradually evolving drones created with oscillators on the ARP synthesizer and with tape loops.
According to Daniel Caux’s liner notes, “For L’ile re-sonante, Eliane Radigue drew her inspiration from an image: an island in the waters of a lake that reflect her face. It is both a ‘real’ image and an optical illusion”.
Read Chuck Johnson’s essay on this piece, entitled “Empty Music”.