on incarnation and sacrifice

christ

But supposing God became a man – suppose our human nature which can suffer and die was amalgamated with God’s nature in one person – then that person could help us. He could surrender His will, and suffer and die, because He was man; and He could do it perfectly because He was God. You and I can go through this process only if God does it in us; but God can only do it if He becomes man. Our attempts at this dying will succeed only if we men share in God’s dying, just as our thinking can succeed only because it is a drop out of the ocean of God’s intelligence: but we cannot share God’s dying unless God dies; and God cannot die except by being a man. That is the sense in which He pays our debt, and suffers for us what He Himself need not suffer at all.

~ C.S. Lewis, Mere Christianity

the pleasure seekers – what a way to die (1965)

The Detroit garage band the Pleasure Seekers originally comprised sisters Suzi, Patti, and Arlene Quatro, the daughters of jazz musician Art Quatro. The group started while the siblings were all still in their teens. They quickly transcended novelty status by writing their own material and playing their own instruments, and made their debut in 1966 with the local hit “Never Thought You’d Leave Me,” released on the Hideout label (the recording arm of the local teen club where Suzi reportedly worked as a counter clerk). A year later they jumped to Mercury for “Light of Love.” Eldest sister Arlene soon exited the Pleasure Seekers to begin a family — among her children was actress Sherilyn Fenn, best known for her work in the TV cult series Twin Peaks — and was replaced by another Quatro sister, Nancy. Throughout the remainder of the decade the band toured relentlessly, even appearing at a USO showcase at the peak of the Vietnam War, but mainstream success continued to elude them. Around 1969, the Pleasure Seekers rechristened themselves Cradle, a move which also heralded a harder-edged sound. By the early ’70s, however, the trio disbanded, with Suzi going on to fame as a solo performer while Patti joined the California band Fanny (info from allmusic.com).

john berger – “les petites chaises”

Do you think that flying round repeatedly in a circle, as happens on a certain kind of roundabout, do you think this might have a temporary effect – for purely physiological reasons – on the brain?

It can induce a sense of giddiness…

I mean more. Could character temporarily be changed by it?

Please explain, said Monsieur Hennequin, what you have in mind.
swing

At these fairs there is a special kind of roundabout, a combination of a roundabout and a series of swings. The seats are suspended and when they turn –

A centrifugal force comes into play, said Monsieur Hennequin, and they are thrown outwards. I have seen the kind of which you are speaking. We call them les petites chaises.

Good. Now you can control – up to a point – how you swing outwards and in what direction. It’s all a question of how far you lean back, how high you push your feet up, how you swing with your shoulders and how you pull with your arms on the chains either side. It’s not very different from what every girl learns on an ordinary swing.

I know, said Madame Hennequin.

The game which most of the riders play as soon as the roundabout starts to turn, is to try to swing themselves near enough to whoever is behind or in front of them so as to join hands with them and then to swing together, as a pair, holding on to each other’s chains. It’s quite difficult to do this, often only their fingertips touch –

The seats are spaced in such a way, interrupted Monsieur Hennequin, to ensure that they never come into contact. Otherwise it could be dangerous.

Exactly. But everyone who rides on this kind of roundabout is transformed. As soon as it begins to turn and they begin to gain height as they swing out, their faces and expressions are changed. They leave the earth behind them, they throw back their heads and their feet go up towards the sky. I doubt whether they even hear the music which is playing. Each tries to take hold of the arm trailing in front of him, they cry out in delight as they gather speed, and the faster they go, the freer they play, as they rise and fall, separate and converge. The pairs who succeed in holding on to one another fly straighter and higher than the rest. I have watched this many times and nobody escapes the transformation. The shy become bold. The awkward become graceful. Then when it stops most of them revert to their old selves. As soon as their feet touch the ground, their expressions again become suspicious or closed or resigned. And when they walk away from the roundabout, it is almost impossible to believe that they are the same beings, men and women, who a moment ago were so free and abandoned in the air.

~ from G by John Berger (1972)

‘look, it’s a [ ]!!’

‘look, it’s a [ ]!!’

[ ] are to be eaten, to be chewed with molars as if one does not have incisors. [ ] should be popped into the mouth, to bounce off the palate and land between ready mincers. [ ] ought to be chewed like cashews, until all there is, is a messy mushy pulp that’s easy to swallow. [ ] are not a fruit. there are no [ ] trees or shrubs. [ ] do not grow like creepers, scaling walls and throttling other species in a race for the sun.

one can cook [ ] although it has not been established whether or not [ ] are raw or ready. [ ] might not even be plant life for this too has not been established. [ ] might after-all be a hibernating species of some animal too timid to uncurl in our hands. wait, do [ ] fit into ones palm? are [ ] not bigger in size?

[ ] might be better for building things like cars and homes and scooters. [ ] might even be better suited to pulling boogers from hairy nostrils. [ ] are to be examined by a highly skilled childless task force made up, in equal parts, of scientists, soldiers, sunday school teachers and salmon farmers. [ ] might after all be bombs and it would make better sense to have them detonate in the hands of these lunatics. no?

but [ ] are to be eaten i am sure.

——- ———- ———-

what [ ] are you talking about?

[ ] are orange/blue, this is the first clue. in a quite suburb, north of carmarthenshire, [ ] have been reported to be quite the nuisance. residents are in disagreement as to how it is that [ ] are causing the reported nuisance. some home owners claim to hear [ ] wailing clear and true into the night, others claim [ ] run amok in the streets, up turning bins and smashing in store fronts, some seniors have even reported [ ] claims of sexual harassment from [ ], especially when they try to cross the road close to busy intersections.

the mayoral spokesperson for the district of bin has issued a statement that all allegations made against [ ] will be treated with the highest priority. The municipality remains confused however by how it is that [ ] could execute half the crimes laid against [ ].

‘it is known that [ ] have not the legs, mouths or arms to throw things, scream or grope the elderly. that littler still is understood of [ ] makes these cases harder to prosecute. are [ ] not a single body? are [ ] more like us the more we know them or less so?’

[ ] are to be left in the bogs, of this i am sure.

afro what what – joule city, 15 december 2012

Picking up stompies…

“He’s most comfortable when he’s uncomfortable.”

“He was kind enough to punish me.”

“You’ve got an iPhone? I wouldn’t trust you with an Alcatel.”

“Uh, sorry, did a bun monster just shit on your head?”

“Is it exhausting to be that cool?”

“It’s really hard to find pictures of happy black people these days.”

ganeshi

ganeshi

The elephant God Ganesh symbolises change. What I dig about Hinduism is that if you need to invoke something in your life at a certain time, for instance strength and courage, you can invoke the warrior god Shiva; if you feel you need protection, invoke Durga; if you need abundance, pray to Lakshmi, etc. Whether these deities exist external to you or whether you invoke your inner aspects which correspond to them is immaterial; they personify and give a face to what you need in your life at specific times, and there are invocations for each of them. Some are blessedly short: a prayer of protection can be said as you leave your home on a trip Om Doom Durgayei Namaha …

tame impala – feels like we only go backwards

An anthem to atavism, with a great video directed by Joe Pelling and Becky Sloan, made entirely from plasticine collage. Off the album Lonerism, which came out on Modular in November 2012.

It feels like I only go backwards, baby
Every part of me says go ahead
I got my hopes up again, oh no, not again
Feels like we only go backwards, darling.

I know that you think you sound silly when you call my name
But I hear it inside my head all day
When I realize I’m just holding on to the hope that maybe your feelings don’t show

It feels like I only go backwards, baby
Every part of me says go ahead
Then I got my hopes up again, oh no, not again
Feels like we only go backwards darling.

The seed of all this indecision isn’t me, oh no
‘Cause I decided long ago
But that’s the way it seems to go
I’ve tried so hard to get to something real, it feels…
It feels like I only go backwards, darling…

mowgli and raksha

are the stories told by grandma on a moonless night less true than those told in the moonlight?
are stories spun with hunger-sour spit less sweet than those spat by a fat belly grandma?
how much does spittle matter in the natter of friends?
and like that we were sent to bed, to cuddle our empty tums to suck on our thinning thumbs.

e. e. cummings – somewhere i have never travelled,gladly beyond

somewhere i have never travelled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands

__
From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

slowdive – just for a day (full album)

First released in 1991 on Creation Records, this album has been a fount I have returned to so many, many times since I bought it at about 14 from Jan Welter’s second hand cd stall at the flea market in Pietermaritzburg’s Alexandra Park. I picked it based only on the luminous cover photo of a girl, spinning… Well, that and the fact that I trusted Jan’s taste implicitly. Just for a Day is a cool, sweet glass of water to me on a stuffy, fevered day (like today); a comfy, old sweater to nestle in on a dark, sad day… the breeze blowing through my heart when it feels most empty. It lifts my spirits above suffering, always. Here it is in its entirety.