From Burn Your Fire For No Witness (Jagjaguwar, 2014).
Video by Rick Alverson.
The Lamp of the Body
22“The lamp of the body is the eye. If therefore your eye is sound, your whole body will be full of light. 23But if your eye is evil, your whole body will be full of darkness. If therefore the light that is in you is darkness, how great is the darkness!
24“No one can serve two masters, for either he will hate the one and love the other; or else he will be devoted to one and despise the other. You can’t serve both God and Mammon.
Do Not Worry
25Therefore, I tell you, don’t be anxious for your life: what you will eat, or what you will drink; nor yet for your body, what you will wear. Isn’t life more than food, and the body more than clothing? 26See the birds of the sky, that they don’t sow, neither do they reap, nor gather into barns. Your heavenly Father feeds them. Aren’t you of much more value than they?27“Which of you, by being anxious, can add one moment to his lifespan? 28Why are you anxious about clothing? Consider the lilies of the field, how they grow. They don’t toil, neither do they spin, 29yet I tell you that even Solomon in all his glory was not dressed like one of these. 30But if God so clothes the grass of the field, which today exists, and tomorrow is thrown into the oven, won’t he much more clothe you, you of little faith? 31“Therefore don’t be anxious, saying, ‘What will we eat?’, ‘What will we drink?’ or, ‘With what will we be clothed?’ 32For the Gentiles seek after all these things; for your heavenly Father knows that you need all these things. 33But seek first God’s Kingdom, and his righteousness; and all these things will be given to you as well.
34Therefore don’t be anxious for tomorrow, for tomorrow will be anxious for itself. Each day’s own evil is sufficient.”
From Lazer Guided Melodies (1992).
“Out of this labyrinth that makes our world
How do we ever know the light inside ourselves?
To know that the skin we wear is raw
That we can be anything if we know anything at all”
Live at Bush Hall, London, in August 2013.
This photo was taken by Susanna Smith .. there has been no photoshopping ..I held the solar light above the pup, in front of the fire ..
From Lovers Rock (Epic, 2000).
“Keep your face always toward the sunshine and the shadows will fall behind you.”
— Walt Whitman
“The first thing that came to mind was an image that gradually deteriorates with visual noise, echoing the sonic noise present in the song. We go from lightness to darkness, away from a structured, fabricated place and into raw territory.”
~ Jose Wolff – August, 2012
Music by Julia Holter
Directed by Jose Wolff
Photography by Robson Muzel and Jose Wolff
“Broken figure” portrayed by Bryan Dodds
Shot on site at The Wulf, Elysian Park, and the Angeles Angeles Natural Forest. Special thanks to Emily Jane Kuntz and Eric KM Clark and Michael Winter at The Wulf
©2012 RVNG Intl.
A portion of the opening movement of Paul Sharits’ 1968 film.
N:O:T:H:I:N:G is a film deplenished of all, of any signified stance and involved only in the manner of film itself. Just the drawing of a bulb, the projector light and a chair remain in the space of the screen. But these are just random disruptions of monochrome frames.
The whole film is built as a vibration of rhythms, ‘energy-colour’, based on the structure of the Tibetan mandala of five Dyani Bouddhas. Formally the composition is centred on the psychic flickering caused by four symbolic colours: white, yellow, red and green. The more the film is next to the centre that is the centre of the mandala, the empty point, the more the monochrome frames flicker faster, up to invert the speed in the second part of the film (bearing off the centre), the retrograde of the first one. Sharits constructed the structure of the film about the ‘Om’ Nembutsu droning: nevertheless the film can be considered as the visual translation of this sound.
“The screen, illuminated by Paul Sharits’ N:O:T:H:I:N:G, seems to assume a spherical shape, at times – due, I think, to a pearl-like quality of light his flash-frames create… a baroque pearl, one might say – wondrous!… One of the most beautiful films I’ve seen.” – Stan Brakhage
“You are pulled into the world of color, your color senses are expanded, enriched. You become aware of changes, of tones around your own daily reality. Your vision is changed. You begin to see light on objects around you… Your experience range is expanded. You have gained a new insight. You have become a richer human being.” – Jonas Mekas
What makes you sing so sweetly in the dark, White-eyes, hours before dawn? I want to know. Is it your sureness of the imminent arrival of the light? Or is it to wake the sun, in case it’s forgotten its appointment with the day? I want to know, because right now things are cold and dark here, and your song is puncturing the silence with a conviction I do not share.
”I took the puppet, which was myself, and I flung it against the sky. Because light is such a magical, magical thing. See, a bird never flies into the dark, who is built for the light.”
From the Nonesuch Dance Collection.
Introduction by Martha Graham.
Choreography by Martha Graham.
Performed by The Martha Graham Dance Company.