Amanda Palmer “I Want You, But I Don’t Need You” (Momus cover) – Live at The Music Box at The Henry Fonda Theatre – Los Angeles, CA – December 16, 2008.
Monthly Archives: March 2013
nina hagen – born in xixax (1982)
This is again radio Yerevan with… our news (claps)
Oh, I’m sorry, you should turn on the machine
This is radio Yerevan, (laughs)
my name is Hans Ivanovich (laughs) Hagen and this is…
The news (laughs)
Continue reading
anna akhmatova – fragment, 1959
And entering towns the guns had missed,
towns out of storybooks,
we saw the constellation of the Snake
but we were afraid to look at each other.
The earth smelled like an orphanage — potatoes,
disinfectant, shoes — I thought
Time walked next to us, years, centuries.
And someone shook a tambourine, someone we couldn’t see.
There were noises and tiny bluish-yellow lights.
What did they mean, those fireflies
signaling to us in the dark?
I even thought those noises were the lights.
And we walked on together. I was with you, you were with me.
It was like that dream I had: the corpse of an old man
shone in the dark, a baby clung to his chest, both wrapped in a cocoon.
I could see the awful, delicate, wax-like hands of the baby
dabbling at the man’s chin. The moon slid out,
suddenly. We met, we said goodbye.
If you remember that night, as I do,
wherever you are now, whatever fate
steers your life, know what I know: the time
we had was sacred like a great king’s dream
turned by his people into a myth they use
to keep themselves from believing life’s a dream.
Whatever I looked at was alive, everything had a voice,
but I never found out were you a friend, an enemy,
was it winter, summer? Smoke, singing, midnight heat.
I wrote thousands of lines. Not one told me.
catherine wheel – half life
This version is from the ‘I Want to Touch You’ 12″ #1 (Fontana CW 312, 1992). It is far rawer than the version on the album Chrome.
evisceral
This is just how I am feeling today.
More HERE.
blixa bargeld – umpf!
Herr Bargeld <3 <3 <3 makes a soundtrack for autobahn drive time radio, using only his voice and a looper (and some funny, funny patter) in this performance from 2006.
we are more than our hair_i

© Germaine de Larch Images. First published on http://www.life-writ-large.posterous.com
fiona apple with maud maggart – hot knife
A sizzling mash-up!
Song from Fiona Apple’s 2012 album The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do.
Video excerpted from Fritz’s Lang’s 1926 sci-fi masterpiece, Metropolis.
sebadoh – brand new love (acoustic version)
From the Weed Forestin’ LP (Homestead Records, 1990), to end the weekend on a less sad note! ;)
sebadoh – broken
From The Freed Weed (Homestead Records, 1990).
fugazi – epic problem
From The Argument (2001).
congratulations. stop. wish i could be there. stop. tell me something i don’t know.
is there anything left to know? stop. stop. stop. stop. stop.
accessory, accessory, accessory, accessory, accessory, accessory
we regret to inform. stop. miss you dearly, signed sincerely. stop.
tell me something that i don’t know is there anything left to know?
stop. stop. stop. stop. stop. accessory, accessory, accessory, accessory, accessory, accessory to the time. time. time. time.
i’ve got this epic problem; this epic problem’s not a problem for me
and inside i know i’m broken, but i’m working as far as you can see
i’ve got this epic problem this epic problem’s not a problem for me
and inside i know i’m broken but i’m working as far as you can see
and outside it’s all production; it’s all illusion, it’s set scenery
i’ve got this epic problem; this epic problem’s not a problem for me
patience
shellac – shoe song
From 1000 Hurts (2000).
morrissey – seasick, yet still docked
One of the most beautifully orchestrated of all Morrissey’s abject songs about self-pity. From the 1992 album, Your Arsenal.
aimee mann – wise up
Aimee Mann in 1999.
With diegetic sound from the denouement montage in Paul Thomas Anderson’s Magnolia, to which the song is central.
’til tuesday – coming up close
Aimee Mann in 1986.
girl, interrupted
woman, object, corpse: killing women through media
Linda Stupart wrote this about Reeva Steenkamp, and also the YOU DECIDE billboard and corpses and objects and women.
Africa is a Country (Old Site)
Since Valentine’s Day everyone has been talking about the murder of Reeva Steenkamp, although rarely in those terms. We know that her boyfriend, Oscar Pistorius, shot her four times and killed her while she was behind a locked door in their bathroom in a gated estate. We know that he has a history of domestic violence, a penchant for shooting things. We know absolutely everything about his extensive sporting achievements. The main thing, however, that we know about Steenkamp is that she was a model, and that she was really hot.
View original post 1,866 more words
julia holter – goddess eyes 1
“The first thing that came to mind was an image that gradually deteriorates with visual noise, echoing the sonic noise present in the song. We go from lightness to darkness, away from a structured, fabricated place and into raw territory.”
~ Jose Wolff – August, 2012
Music by Julia Holter
Directed by Jose Wolff
Photography by Robson Muzel and Jose Wolff
“Broken figure” portrayed by Bryan Dodds
Shot on site at The Wulf, Elysian Park, and the Angeles Angeles Natural Forest. Special thanks to Emily Jane Kuntz and Eric KM Clark and Michael Winter at The Wulf
©2012 RVNG Intl.
anita lane – the world’s a girl
missing, forever
I made this poster in reference to this one, but the events it describes are entirely true. My cat’s head was never found. That night, I think I lost a part of me too, though I didn’t realise it at the time: the part that trusted and expected people who said they loved me not to hurt me intentionally.
What made me realise how this all fitted together was a chain status update game that went around on Facebook a few weeks ago. My answers to the questions went like this:
Age I was given: 17 (I balked because it was a very heavy year for me, but here goes…)
Where I lived: Waterfall, a village in KZN a little north of the Comrades Marathon route, through the sugarcane fields (which are now Tuscan townships).
What I did: Wrote matric with the help of regular immunoglobulin injections and reflexology to stave off the Chronic Fatigue Syndrome/M.E.that I’d been severely ill with since 14 when I’d contracted Glandular Fever. Spent a lot of my study time taping songs off the radio. Went to Turkey on short term Rotary Exchange after finishing school.
Who had my heart: My cat, Jorgy, who had been my constant companion throughout my illness. He was killed while I was in Turkey. I’d broken up with my first boyfriend during matric trials – I couldn’t handle his obsessive, controlling demands for attention. He turned stalker on me, hanging around outside my house, phoning all the time, sending letters threatening suicide, warning me that I would be sorry if “I left him” and went to Turkey. A day or two before I got back, my family found the headless body of our beloved Jorgensen Fassbinder Kittyman Von Streichen Hashimoto Lighoré at the bottom of the garden, tossed over the fence. I wish I was making this up.
Age I am now: 34
Where I live: Oranjezicht, Cape Town
What I do: I excel at giving too much of a shit.
Who has my heart: My heart is a hot potato.
__
The shadow of this manifested down the years in relationships with a string of men who were deliberately unkind and dismissive to me too often; with me always holding on too long because I mistakenly identified their cruelty or disloyalty as evidence of their love for me in spite of what they judged to be my shortcomings. At the darkest junctures over those years, I actually believed that I might deserve the humiliation, the punishment; that I should be grateful anyone humoured me. If they weren’t critical or manipulative enough, if I didn’t have cause to be outraged by their mistreatment, to defend myself against their accusations, to demand consideration, recognition… then it didn’t feel like they could really care (how twisted is that?).
The men I fell most deeply for were never truly available or fully present, would leave me because they cared more about someone else, or were running for their own damaged reasons. I guess I only felt safe from being smothered when they had one foot outside the door, though I yearned with all my heart to be held unconditionally, the way I held them.
This delusion is broken and I am free of its bonds.
“i knew these two people …”
Harry Dean Stanton and Nastassja Kinski in Wim Wenders’ Paris,Texas (1984).
leonard cohen – recitation
beth hart – am i the one? (live at paradiso)
unfit
i got a square peg
you got a round hole
i got a square peg
you got a round hole
i got a round hole
you got a square peg
i got a square peg
you got a round hole
you got a round peg
i got a round peg
you got a square hole
i got a square hole
you got a round peg
i got a square peg
i got a round hole
you got a square hole
you got a square peg
i got a round peg
etcetera, etcetera.
damien rice and lisa hannigan – volcano (live)
jim morrison on painful feelings
People are afraid of themselves, of their own reality; their feelings most of all. People talk about how great love is, but that’s bullshit. Love hurts. Feelings are disturbing. People are taught that pain is evil and dangerous. How can they deal with love if they’re afraid to feel? Pain is meant to wake us up. People try to hide their pain. But they’re wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. It’s all in how you carry it. That’s what matters. Pain is a feeling. Your feelings are a part of you. Your own reality. If you feel ashamed of them, and hide them, you’re letting society destroy your reality. You should stand up for your right to feel your pain.
~ Jim Morrison
radiohead – exit music for a film (zeffirelli’s romeo and juliet)
pablo neruda – too many names
Mondays are meshed with Tuesdays
and the week with the whole year.
Time cannot be cut
with your weary scissors,
and all the names of the day
are washed out by the waters of night.
No one can claim the name of Pedro,
nobody is Rosa or Maria,
all of us are dust or sand,
all of us are rain under rain.
They have spoken to me of Venezuelas,
of Chiles and of Paraguays;
I have no idea what they are saying.
I know only the skin of the earth
and I know it is without a name.
When I lived amongst the roots
they pleased me more than flowers did,
and when I spoke to a stone
it rang like a bell.
It is so long, the spring
which goes on all winter.
Time lost its shoes.
A year lasts four centuries.
When I sleep every night,
what am I called or not called?
And when I wake, who am I
if I was not I while I slept?
This means to say that scarcely
have we landed into life
than we come as if new-born;
let us not fill our mouths
with so many faltering names,
with so many sad formalities,
with so many pompous letters,
with so much of yours and mine,
with so much signing of papers.
I have a mind to confuse things,
unite them, bring them to birth,
mix them up, undress them,
until the light of the world
has the oneness of the ocean,
a generous, vast wholeness,
a crackling, living fragrance.






