sviatoslav richter plays liszt’s transcendental études

A selection of my favourites from Liszt’s Transcendental  series, recorded in Prague on June 10, 1956 and broadcast on Czech Radio.

Tracklisting with times:
00:00 – Étude No. 1 (Preludio)
00:58 – Étude No. 2 (untitled – Molto vivace)
02:52 – Étude No. 3 (Paysage)
08:29 – Étude No. 5 (Feux Follets)
12:03 – Étude No. 11 (Harmonies du Soir)

Heartbreaker Franz Liszt circa 1860 (Franz Hanfstaengl/Wikimedia)

Heartbreaker Franz Liszt circa 1860 (Franz Hanfstaengl/Wikimedia)

“On a snowy day in Berlin, two days after Christmas 1841, Franz Liszt strode out onto the stage at the Berliner Singakademie concert hall. He sat at his grand piano in profile, beads of sweat forming on his forehead. He was 30 years old, at the height of his ability, and he was about to unleash a mania—a mania not in the sense of “Beatlemania”, or any of the other relatively mild musical obsessions, but a mania viewed as a truly contagious, dangerous medical condition that would affect women in Germany, Italy, France, Austria, and elsewhere.

“Using his whole body—his undulating eyebrows, his wild arms, even his swaying hips—Liszt dove into Händel’s “Fugue in E minor” with vigor and unfettered confidence, keeping perfect tempo and playing entirely from memory. It was the start of the phenomenon later called “Lisztomania,” and the women in the audience went mad.”

Read THIS ARTICLE on the romantic power of music like Liszt’s…

fela kuti & egypt 80 – beasts of no nation

This post goes out to FIFA president Sepp Blatter and all the people aligning themselves with various national football teams in the bizarre competitive spectacle that is the FIFA World Cup.

Happening this time round in Brazil, FIFA bleeds yet another host country’s economy dry, with the willing help of its own government – systematic violence, neo-colonial parasitism. Last time it was South Africa’s turn, and the effects are still being felt here.

BeastsOfNoNation

kola boof

This Ohio bookseller refuses to carry African writer Kola Boof's novels because of nudity.

This Ohio bookseller refuses to carry African writer Kola Boof’s novels because of nudity.

“I don’t agree that I am controversial. What I feel is that most people are not critical thinkers.  The society tells them what to believe, what to think…and their knee jerk reactions are guided completely by that conditioning.  They usually realize later on that what I’m saying is not controversial… when they take time and think in depth.  Even if they don’t agree with me… they understand what I’m saying without all the claims of being shocked by controversy.  I’m not a controversial person if you’re a critical thinker.”

Check out Kola Boof’s website, where you can also read more of this interview.

writing wrongs

my wrists ache
wrest them
look out
a deck of shards
sick notes
cutting in
cutting up
cutting down
cutting out
cutting off
the pulse
wound up wound
wind up wind
wound up wind
wound down wind
wind down wound
wind up wounded
binds unbound

an unstruck sound
this name means nothing to me
rolling off my glossed tongue
the missing ink
the beads of spittle in the pink
the drown flying in my drink
sink for yourself
sink or blink

outside carries on
the whorl of a banshee
howling at the pane

open your eyes
close your mouth
close your eyes
open your mouth
open your close
eye your mouth
mouth your silence
silence your eyes
make the whirl go away

stories we tell

Go and see this at the Encounters Documentary Festival, on right now in Cape Town and Jo’burg: the brilliant Sarah Polley‘s genre-defying examination of the workings of memory and narrative related to her own family’s secrets. It’s a gentle yet unflinching interrogation of how truth is shaped by the stories we tell ourselves when making sense of the things that happen in our lives. Humorous, poignant, profound… highly recommended.